I am fortunate to be one of the lucky people who played the Diablo III demo showcased at Blizzcon 2008 in Anaheim. Not only was it a pleasure to play it, but left me craving for more. I decided to create a female Wizard. She spawns in the outskirts of the Tristram Woods where Captain Rumford and an armored warrior are piling up a bonfire of corpses. The warrior can be seen transporting the corpses off a wagon and into the bonfire.
Captain Rumford says they are burning the corpses to prevent them from rising as undead. NPCs that have something to say have a black oval with dots hovering above them when you place the cursor over them. A popup window displays the “introduction” option, feature that remains a constant from Diablo II. However, not only does each NPC talk to you. Your very own character talks back, interacting with the NPCs. By saying talk, I mean both: the NPC and your character have voice over actors adding emotion and life to the Action / RPG.
Read below a lengthy preview on various features observed in the Diablo III hands-on demo
I started pressing keys to see what options were available. Pressing (C) opens the Character window, Inventory (I), Quest (Q), Skill trees (S), and mini-map toogle (N), Game Menu (ESCAPE button)
At level 5, these were the stats I found on my Wizard character. Hope these stats offer you a better scope of how the Wizard stats and abilities work:
Melee damage: 2-8 | Spell damage: 12-23 | Armor: 34
- 16 Strength – Physical damage bonus: 16% | Armor Bonus 26%
- 28 Dexterity – Crit chance 7.0% | Dodge chance: 7.0
- 18 Vitality – Life: 56 | Mana Regen: 0.9 sec.
- 94 Willpower – Spell damage bonus: 52.8% | Health globe bonus: 0.0%
In Diablo II, you get points after leveling to spend on these four stats. In Diablo III, thus far, these stats increase automatically. You no longer have control over where these points are spent into. At the bottom of the Character (C) window, you can find a table with two columns displaying the following data:
|1.20 Attacks per second
70% Physical crit chance
150.0% Physical crit damage
|0.0% Block amount
6.0% Block chance
2.5% Physical damage reduction
At the bottom left of the Character (C) window you will find your character resistances. These can be determined by icons:
Blue snowflake = Frost
Red Flame = Fire
Purple Thunder = Lightning
Green Skull = Poison
Yellow icon = Arcane
The Inventory window shows a lot of visual information. It has a simple and intuitive UI frame with colorful gradients of orange and dark brown, and stylized symbols that highlight a gothic-like feeling. You can see your character model viewer which allows you to rotate your character. Around the viewer, you have 12 gear slots: helm, medallion, chest, sash, 2 rings, weapon, shield, boots, pants, gloves, and shoulder. Between the weapon and the shield is a strange circle. When clicking it, a new window pops forward. Based on the demo observation and loot, this window with 9 circles resembles the Glyphs window from World of Warcraft. In the case of Diablo 3, these 9 circles are reserved for Runes. Thus far in the Blizzcon demo, only the Wizard can equip runes. (i.e. certain monsters may randomly drop a minor power rune).
Beneath the character viewer and gear slots can be seen the bag inventory—all in the same window. There are 30 slots, but only a few are enabled. You can expand to the full 30 slots by adding bags into the bag slots. On the bottom-right you can see four slots. There is where you drag the bags into. By dropping the bag item into that slot, you increase the amount of slots enabled. Eventually your goal is to enable all 30 slots. Each slot is thin and tall, and certain items can stack in the same slot. Doesn’t look like there is a special slot bar for potions, but mini-health potions have been seen, as well as elixir of dexterity and elixir of vitality which may have durations of up to 300 seconds (5 minutes).
Not much was revealed about [WIKI]Runes[/WIKI]. [WIKI]Barbarian[/WIKI] and [WIKI]Witchdoctor[/WIKI] classes don’t have runes enabled in the Blizzcon demo, so it looks like it is something still in the works. In a press panel, [WIKI]Jay Wilson[/WIKI] revealed these runes will change the visual effects of your character and its spells/abilities. Imagine your lightning spell increasing its glow making it look more powerful and actually increasing your damage output.
You may toggle the mini-map by pressing (N). It is more effective than the old Diablo II map overlay (tab). The mini-map is located on the upper-right corner. It has no frame like the World of Warcraft circle framed mini-map. It has an unframed tall rectangular area. By pressing the arrow keys you can move the mini-map in any direction. To reset simply press (N) twice, or escape.
How is this new mini-map more effective? Diablo II’s overlay map would take the whole screen, and would interfere your line of sight affecting what you could see on-screen. By placing the overlay map to the upper-right corner, your whole screen is visible for gameplay purposes. Each [WIKI]NPC[/WIKI] is displayed as a tiny yellow dot. Place your mouse cursor over the yellow dots, and automatically a window pops up above the dot displaying the name of the NPC. You can see and identify NPCs ahead of you, not yet within visual range. Update: Monsters are not displayed by the mini-map. You will still have the element of surprise. The mini-map helps you locate NPCs that might have a quest for you, or some interaction options to learn some lore.
RARE MONSTERS / BOSS
In Diablo II, it was hard sometimes to notice a rare [WIKI]monster[/WIKI] among a bunch of mobs. Sometimes you would even get killed before noticing a rare was behind that bunch of mobs. In Diablo III, before the rare monster or boss enters into view, a name tag pops at the top-center with a health bar. The health bar is divided into a few rectangles. The health bar / name tag window displays the special attributes of the monster (i.e. a rare named Head of Grief had three attributes beneath its name tag: Vampiric, Froze, Fast.
While exploring the world, you will find NPCs with a yellow exclamation sign floating above their head. When you accept the [WIKI]quest[/WIKI], the title and objectives are displayed onscreen at the right-center for few seconds, then fades out. You can access the quest window by pressing (Q). It’s very similar to World of Warcraft. After walking away from the bonefire of corpses at the Tristram Woods, you enter the Ruins of Tristram. There are a few destroyed buildings. You can see the Physix engine in action when randomly some debris of the ruins crumble down. Placing your mouse cursor over some of the door signs you will find Griswold’s Blacksmith Shop. While exploring, you find a well. It can be highlighted if you place your cursor on. A quest starts and it is automatically displayed onscreen to the right: Little Girl Lost. Objective: Find a way to free the little girl’s spirit from the old well in Tristram.
When you stand near the well you can hear the girl’s voice over and weeping. She is trapped inside the well. Something funny … some of her quotes resemble that of the girl in the Poltergeist film. Exploring further into the Tristram ruins you find a female ghost and listen to her voice over which is repeated over and over randomly: Where has gone my girl? She must be so lonely. She never goes away without her doll. She’s lost without it!
Not far from the ghost you will find a chest on the ground. Within lies the doll. Loot it and return to the well. The quest is completed as you return the doll. The spirit of the girl ascends from within the deep well and thank you. A reward is automatically placed in your inventory. You will read a message onscreen saying how much XP (experience) you gained, and the name of the looted item. In my case, a Socketed Boots of Brawn (+9 armor, 1 socket, + 2 strength).
Before reaching the Cathedral of Tristram entrance, you will find [WIKI]zombies[/WIKI] kneeled on the ground as if eating from a body. Once you kill them, the body on the ground – tagged Dying Adventurer – automatically highlights a yellow exclamation sign enabling a new quest: The Return of the Skeleton King.
The voice over says something along these lines: “Please … listen to me! The fire, somehow … it awoke him. The Skeleton King’s evil haunts the cathedral once more.”
Your character’s voice over says: “Skeleton King, huh? Sounds interesting. Rest easy. I will show him the err of his ways.”
Enter the cathedral. Eventually you will find an NPC with a yellow sign on his head. Take the quest. Guess who the NPC is? If you have played Diablo 1 or have visited DiabloWiki.net the name Lachdanan will ring a bell. He was the loyal friend of King Leoric in Diablo 1. Lachdanan killed King Leoric, who cursed him on his last dying breath.
SCROLLS & BOOKS
This is probably the most lovely lore source feature for players who decide to immerse themselves into the world of Sanctuary. Let’s say you enter a dungeon, and find a pedestal. When you highlight the pedestal, by moving your mouse cursor over it and clicking it, you loot the book. Open your Inventory (I) and click the book or scroll. A sound clip pops up at the bottom-right of the screen. Underneath the clip are three buttons: play, stop, close. It is a voice over recording telling the story within the book.
For example, in the Cathedral of Tristram, the Journal of King Leoric tells his story during the time Diablo possessed his son Albrecht (Diablo I).
The three buttons to the right of the main UI correspond to the Left Mouse button, Right Mouse button and an alternate Right button that switches those last two by pressing TAB button.
- Click the left mouse button to move and attack enemies.
- Click right mouse button to use the assigned skill
- Press the alt key to show all dropped items
- Use the 1-4 keys to activate assigned hot bar skills
- Right-click on a hot bar, or mouse button slot to assign a new skill.
- Press TAB or scroll the mouse wheel to swap between right mouse and alternate right mouse skills.
The Skeleton King appears at the third level of the Tristram Cathedral. Former King Leoric has a large axe. As told by Jay Wilson in the past, boss events can feel epic without the town portal escape trick or the heal potion spam mechanic. Once the Skeleton King engages in combat, dozens of zombies enter the room to attack you. The boss has an animation that alerts you when he is about to slam his long axe toward you. The idea here is to attack him a few times, and run away before he slams the axe in front of him. It can be avoided. Kill a few mobs for health orbs, and attack the Skeleton King again. Rinse and repeat. I was able to kill King Leoric without dying by doing these steps. Sadly, the Diablo III demo finished after killing this first boss, with a message from Blizzard congratulating me for killing the Skeleton King in this BlizzCon 2008 demo.
After playing the demo at Blizzcon, I can only say—hopefully not sounding heretic – that I loved Diablo III, and look forward for the announcement of the remaining two classes. No release date for Diablo III unfortunately, but personally I wish this game was on stores around October 2009. Gameplay mechanics are very similar to Diablo II, except much better. The graphics are vibrant and colorful, without taking away the epic and dark feel of the previous games. The Physix engine honors the [WIKI]Barbarian[/WIKI] class pretty well, smashing stuff and debris in all directions.
You can click emblems on the walls, that activate a mechanism that drops a candelabrum. If timed correctly, it could smash onto a group of mobs. If you move your character quickly into the area the candelabrum drops on, your character gains daze effect for a few seconds (funny). It would be cool to interact more with objects and traps using the Physix engine to benefit you on bosses and monster encounters. For those who asked me recently if [WIKI]Stashes[/WIKI] and [WIKI]Waypoints[/WIKI] are returning in Diablo III, I asked [WIKI]Jay Wilson[/WIKI] and the answer is yes. Waypoints however will play a different function this time around. Upon death you respawn at the [WIKI]check point[/WIKI]. Check points I observed in the BlizzCon demo happen by the door toward the next catacomb (for example). Some objects spawn near you at the check point. You need to equip them again. This means no more running back to your corpse which is surrounded by 15 monsters. Diablo III is enhancing everything that was broken in Diablo II.
Blizzplanet had a round of questions with T. Carl Kwoh, PopCap Games Producer, about the Bejeweled Addon for World of Warcraft. This addon is expected to be among the top downloaded and played by millions of players. World of Warcraft is an addictive game, and there is a lot of things to do. However, there is downtime here and there: Fishing, waiting for the PvP Battleground/Arena queue, waiting for the LFG tool to find you a group, leveling a tradeskill, waiting for the raid group to fill up, and flying to distant locations. What to do during those downtimes? Play the Bejeweled addon without need to alt + tab to the desktop.
Is the Bejeweled addon a Pop Cap independent project? Will the Bejeweled addon be provided only from the Pop Cap website?
T. Carl Kwoh: We’re doing this independently as a third party add-on. The official place to get the addon is on the PopCap website here: http://www.popcap.com/wow though it will also be later mirrored on major WoW UI sites. This will not be offered through any sort of official patch.
Has Pop Cap Games talked with Blizzard prior to developing the World of Warcraft addon? If so, what was their stand?
T. Carl Kwoh: We showed the mod unofficially and “off the record” to some contacts at blizzard late in development and overall the response was pretty positive. However we have not approached them officially regarding this mod.
Are there plans to create new addons based on other Pop Cap games?
T. Carl Kwoh: At this time, we don’t have any plans to do other addons based around more of our games, though we certainly thought about what else could work during development of the Bejeweled mod. If there is enough interest in the Bejeweled mod, we may consider doing stuff with some of our other games down the line.
Will there be Bejeweled matches between players? If so, how many players are supported?
T. Carl Kwoh: There are friends and guild high scores lists that players can compete on, however there are no direct multiplayer games of Bejeweled in this addon.
Does the Bejeweled addon offer achievements integrated with the World of Warcraft Achievements system for accomplishing special and unique feats? Or does the addon has its own Achievement system interface?
T. Carl Kwoh: The addon does not integrate with WoW’s in-game achievements system, but rather has its own in-addon achievement and skill system. They are integrated into the Bejeweling “Trade Skill” as one time accomplishments that will net you extra skill points on your way to 375 (and eventually 450). Additionally we have Friend and Guild high scores lists that players can compete with each other on.
Any interaction or special features with Fishing tradeskill planned?
T. Carl Kwoh: There aren’t any specific hooks (hehe) that the addon has for the Fishing tradeskill, however you can scale down the window pretty small and tuck it into the corner so its easier to play while still keeping an eye on the bobber. After late stage feedback from several sources we’ve also added in quieter versions of the sounds that you can switch to in the options so that you won’t miss the bobber sounds as easily in your gem matching frenzy.
What was your goal with investing time and manpower to develop this addon free for World of Warcraft players?
T. Carl Kwoh: The goal was to create an awesome addon that a bunch of us in the office are guaranteed to be using for life, and one that we hoped other world of warcraft players could have fun with as well. Since Michael Fromwiller (the San Jose State University student who created the original “Besharded” mod) had already started the leg work it was an easy opportunity for us to support one of our fans and an aspiring developer, get something awesome made for ourselves, and get something cool into the world for others to enjoy.
Are you planning to update the addon, if needed, each time there is a World of Warcraft patch and/or add new features?
T. Carl Kwoh: We will be keeping the addon current for any patches/updates to WoW. We are already compatible with the 3.0/WotlK API changes, so when those come out we’ll just need to update the TOC file. We definitely want to keep the addon functioning, so we’ll be keeping it up to date.
There are no new features planned at the moment, however that’s not to say there won’t be feature updates down the road. However that process will be very organic and depend on interest and time of everyone involved.
Download the Bejeweled Addon at the official Pop Cap website.
Got questions of your own about the Bejeweled addon? Submit them here to forward them to Pop Cap Games for a second round of questions.
Update: WoW Insider interviewed the original creator of the Besharded addon, who now works at Pop Cap.
I am sure the Diablo Archive will be a jewel among my Blizzard novels collection. Better to have four Diablo novels on a single tome, than have invididual books all around the place unable to find them at times. There is one thing I disapprove from the Diablo Archive however. For such a big tome, and quiet heavy in weight, the cover designer Richard Yoo or whoever chose the cover material should have gone for thick cardboard material. This huge archive is no pocket book. It is about two inches thick. The cover material is made of the same material as any other pocket book with the same thin thickness. The result is a jellyfish-effect when you handle the heavy book around. I usually read on my bed. At times when I am uncomfortable, I usually lie on my back and rise the book above me in the air. The weight is almost unbearable after 20 minutes, but the material doesn’t help. Enough with the material rant.
What can be found inside is worth the nuisance. For years, I have heard of Diablo: Demonsbane. A lecture painted in myth. Something I knew existed, but couldn’t reach. It was a few years ago, when I first heard of its existence. It was released on 2000 in ebook format. I have a lot of Warcraft RPG books in ebook format, and even purchased Warcraft: Of Blood and Honor as an ebook. But for some odd reason I never got around reading Diablo: Demonsbane, even when I craved it more than any other book. Curiosity compels one’s craving. I have never read a review of Demonsbane, or heard what it was about. I just knew it was the first of the Diablo stories ever released.
I reported about the first printing of Diablo: Demonsbane on paper two years ago on July 2, 2006. It was titled Blizzard Legends Vol. 1. It contained a printed version of three ebooks from each game franchise: Warcraft: Of Blood and Honor (by Chris Metzen), Starcraft: Uprising (by Micky Neilson), and Diablo: Demonsbane (by Robert B. Marks).
However, it is now with the release of Diablo Archive that fans have the opportunity to get this craved story more broadly as it comes bundled along with Diablo: Kingdom of Shadow, Diablo: The Black Road, and Diablo: Legacy of Blood.
Personally, I was expecting something different in Diablo: Demonsbane. More of a dark fantasy meets Lord of the Rings with some fancy Shakesperian old-english language accent. Part of the myth I envisioned for lack of any knowledge of a Demonsbane’s summary.
I started reading on Sunday evening and couldn’t stop reading. It caught my attention. It is a short novella spanning through page 685-738. According to the epilogue, these events take place on year 302 and seem to happen during the Sin War. Right at the end when I read the epilogue, it made me wonder. Did Diablo: The Sin War somehow retconned Demonsbane? I have no idea. What I do know is that none of the events of the Sin War trilogy seem to be mentioned in it. Nor did the main character in Demonsbane show up in the Sin War trilogy.
Which book comes first in the timeline is also a mystery to me. One thing does gets mentioned that might help those who have better knowledge of the timeline than me. Sarnakyle the Kejistan mage of the Spirit Mage Clan mentioned he was among the party of mages that killed Bartuc the Warlord of Blood at Viz-jun two years earlier.
The story is centered around Siggard, a warrior who fought at Blackmarch with the Entsteig’s army. They had fought demons there led by the favored archdemon of the Lord of Terror: Lord Assur. This archdemon has a peculiar glyph of invincibility that makes him feared by the Vizjerei Mage clans. There is however one thing that may kill him, and that would be spoiling it. I did see it coming when I read what could kill him, but was unsure as the requirements for it to happen were not clear at sight, specially with the interaction of Siggard with the other characters.
Ever since the Night of Souls through the events in Brennor, it kept bouncing around my mind why Siggard can’t remember anything about Blackmarch until certain point as if he had magically forgotten. As I was reaching the last pages of the story, it was more evident my suspicions were right, but the idea resulted contradictory. Making me doubt. Robert B. Marks wrote here a very nice story, and wrapped up with a surprise few could have seen coming. It keeps a fast pace, while adding elements of suspense. I enjoyed the read and don’t regret it. One well-known character appears a couple of times, but heavily weights on the outcome of the story: Tyrael.
I will be reading through the Diablo Archive in upcoming days. One thing I am glad of doing, however, is to have started backwards, reading Diablo: Demonsbane first. It is a pity this story was brought as an ebook and as a short novella. As an ebook, it didn’t get the attention it deserved in 2000. And as a novella, it was too short. The story was worth an entire book of 378 pages. I hope the author writes a continuation of Siggard’s adventures. Otherwise, I would like to read a new story from him again. Take note Blizzard. Cheers, Robert B. Marks.
Go grab your copy of the Diablo Archive.
In a macho-driven society there is no place for successful women who can both pursue a career, fulfill their dreams and be a competitive gamer. Such women are a myth. Right? Or so shortsighted people think. World of Warcraft nowadays has a population of over 10 million players worldwide. A large percent is composed by women of all ages. I have been able to play alongside women playing Rogues or even tanking a raid with their Prot Warrior and doing a heck of a job like any man, if not better.
Today, Blizzplanet interviews a young woman age 20 who currently studies a career in college, has fulfilled her dream … to sing, compose, play the guitar and be founder of her own punk/metal band; and enjoys playing World of Warcraft. That singer you are listening right now in the background is a woman: Renee Phoenix from The Explicits Band.
LOS ANGELES (Top40 Charts/ Explicit Records) – While her friends are consumed with college life, Renee Phoenix of the punk/metal band The Explicits was able to find time to close the books and record her self-titled debut, due out independently on Explicit Records on April 8, 2008. As a Junior at The University of North Florida, she somehow balances achieving her English degree with the demanding schedule that comes along with playing in an up and coming band. “The entire process was exciting for all of us,” she describes of the recording of the album. “I’m a very impatient person so I couldn’t wait for this project to be completed and blast it in my car.” When she is not knee-deep studying to finish her career, or singing in her punk/metal band The Explicits, Renee enjoys playing World of Warcraft.
Who are the members of the Explicits and their roles in the band?
Renee: We have Kevin Vu on lead guitars and backup vocals, Jarrod Welsh on drums, Noah Ray with bass and me, Renee Phoenix, on lead vocals and guitar. We’re all 20 with the exception of Noah who is 18.
When did the group decide to create this band and how did it happen?
Renee: I was, and still am, attending college at The University of North Florida. In my Sophomore year, 2006, I had an idea to form a band and quickly recruited by friend Jarrod on the drums. We then found a bassist, well we found and went through a few bassists, and finally ended up with Noah. We were originally a three-piece for quite some time, but I decided to add an extra guitar in there for some girth and got Kevin on board.
What type of music are you producing in this album?
Renee: We’ve been classified as everything from punk to metal to screamo. Honestly, I couldn’t pinpoint exactly what the hell we are. All the material I wrote for this release came from me. I refuse to write something to stay within a certain “genre.” I write whatever I feel like writing at the time and feels right.
Are you a World of Warcraft gamer? Or do any other members of the Explicits play it? If so, what are your character races, and level?
Renee: Sadly, I’m the only person in the band that plays Warcraft. During the recording process, our engineer and producer, Stan Martell, played as well so we had something to talk about and keep us entertained. I had a level 60 rogue gnome until I deleted that account and now I’m working on another character who is a warrior gnome.
What attracts you to World of Warcraft?
Renee: I love the controls, graphics, everything. It’s a game that one can get easily addicted to. The whole aspect of role-playing is appealing to me. Oh, god that sounds sexual…let me clarify…role-playing as a different character … you know, this just isn’t going to work. I like the game, I play it often, and it never gets old.
If you had the chance to be a World of Warcraft developer for a day, what features or fixes would you do to the game?
Renee: I’d change the overpopulation in the alliance areas. Starting from scratch is somewhat annoying when you have 10 different people killing all the boars when you only need 1 more boar’s rib.
What do you think of the social network aspect of World of Warcraft?
Renee: It’s a lot of fun when people group together for raids and dungeons. I like the multi-player aspect of the game. This one time my friend ran around half naked trying to get other people to take their clothes off and managed to be successful at it. Then they all proceeded to dance together and form a train. It was hilarious.
What do you think about women gamers?
Renee: It’s very sexy. I think more women should definitely play. I mean, I find it a lot of fun. Just because you’re a girl, doesn’t mean it’s not appropriate for you to play. F*ck societies labels, do what you want to do and have fun doing it damn it.
Talking about women, where do you get all this passion and energy to sing, or as you called it recently … a war cry?
Renee: I love singing. The energy from the audience is where a lot of my passion comes from as well as the enthusiasm a lot of our fans have for our music. It’s the best feeling in the world when someone likes what you’ve accomplished and have put a lot of hard work into.
What could you tell fellow World of Warcraft fans to encourage them to listen to your music?
Renee: It’s different from what you’ve been brain drained to on the radio. Just because people like to say we’re punk or metal, doesn’t mean we necessarily are. Give us a try, as it seems to be that a lot of people, who don’t like the all-encompassing rock genre, seem to like us for some reason. So listen to us or I’ll poop on your keyboard.
The Explicits will make a public appearance on March, 28 2008 at Bourbon Street Station *Studio 80*
SUFFOCATE – LYRICS Hey, my conscious on the run. It’s only cause I forgot to tell you
Come, and show me what you got. My guess is better than yours as
Whoa, come on and hate me. My reputation precedes me. In everything that you see. May not be the best of me,
Nothing in the past relate. Pledge to us your undying hate. With these memories of few. Suffocating me, suffocating you.
Breathe, in your fascination. About how I overcame You, you’re not all that I got. I hope with these last words that
that you’re not the only one.
its not what I am, it’s about what I’m not.
or of her, or of him that could be.
how I suffered with our asphyxiation.
I scream from my mouth, that you.
SUFFOCATE – LYRICS
Hey, my conscious on the run.
It’s only cause I forgot to tell you
Come, and show me what you got.
My guess is better than yours as
Whoa, come on and hate me.
My reputation precedes me.
In everything that you see.
May not be the best of me,
Nothing in the past relate.
Pledge to us your undying hate.
With these memories of few.
Suffocating me, suffocating you.
Breathe, in your fascination.
About how I overcame
You, you’re not all that I got.
I hope with these last words that
Recientemente, Walter Simonson nos dijo en nuestra entrevista algunos detalles del arco de la trama del comic book de World of Warcraft. Esta vez le preguntamos a Ludo Lullabi varias preguntas acerca de su carrera artística y cómo consiguió la oportunidad de dibujar el arte del comic book exitoso publicado por la publicadora editorial Wildstorm. Desde el momento en que los fanáticos del World of Warcraft contemplaron el estilo artístico de Ludo Lullabi, se enamoraron del comic book. La comunidad puede ahora saber más acerca de Ludo Lullabi, si juega World of Warcraft, y cuánto tiempo se comprometerá a dibujar para el comic book. At final de ésta entrevista pueden ver cuatro imágenes exclusivas del comic book número cuatro de World of Warcraft, cortesía de DC Comics.
1. ¿Podrías introducirte para que los fans de World of Warcraft conozcan más sobre ti?
Ludo: Me llamo Ludo Lullabi, y tengo 29 años. Soy artista ilustrador y vivo al sur de Francia.
Yo he trabajado en varias series en Francia (Eternal Midnight, Kookaburra Universe, Lillian Cortéz) … Paralelamente con World of Warcraft, estoy trabajando en una adaptación a formato manga del comic book más vendido … “Lanfeust de Troy”; el nombre del manga es Lanfeust Quest.
2. Después de que leí tu entrevista en la muestra gratis exclusiva del San Diego Comic Con, averigué que le enviaste muestras de tu trabajo artístico a Blizzard Entertainment y la idea de una adaptación del juego de World of Warcraft al formato de comic book. ¿Acaso fuiste el que puso la bola a correr para que éste comic book se convertiera en una realidad?, ¿o ya estaba la preparación de éste comic book en progreso para cuando se comunicó con Blizzard?
Ludo: Cuando le propuse mis servicios a Blizzard para la adaptación del juego World of Warcraft al formato de comic book, ellos fueron rápidos en contestarme que les encanto el material que les habia enviado, y que yo sería el que dibujaría el comic book … mientras tanto, yo realmente desconocía si existían planes para una adaptación, o si existían planes para hacerlo en el futuro.
3. ¿Qué te dijo Blizzard acerca de tu talento artístico?
Ludo: Tal como dije anteriormente, Blizzard tuvo buena opinión de las muestras de trabajo artístico que les envié, y en el presente, ahora que estoy trabajando en el comic de World of Warcraft ellos están contentos con los resultados.
4. En la muestra gratis del comic book dada en San Diego Comic Con, dice que el comic book de World of Warcraft es tu primer trabajo Americano. Tuviste que mudarte a los Estados Unidos? Si fue así, que retos o cosas buenas te han sucedido desde entonces?
Ludo: No, no tuve que mudarme, éste es verdaderamente mi primer trabajo en Estados Unidos y no creo que sea el último considerando que tengo varios proyectos franceses en los que estoy trabajando también al mismo tiempo que dibujo ilustraciones para “Lanfeust Quest”, permaneciendo aquí en Francia sin necesidad de mudarme de mi casa.
5. ¿Cómo fue tu primer acercamiento con la compañia de comic books DC Comics / Wildstorm?
Ludo: Al principio, comence trabajando en éste proyecto con mi publicadora francesa (Soleil Productions), porque pensabamos en hacer una adaptación de World of Warcraft para Europa. Nunca pensé realmente trabajar para Wildstorm en los Estados Unidos. Soleil Productions está encargada de distribuir la serie de comic books de World of Warcraft en Francia y mis primeros contactos con DC Comics fueron hechos a través de Soleil como mediadores. En la actualidad, ya me comunico directamente con Wildstorm, pero Soleil continúa bién cometido con el proyecto.
6. ¿Cuál fue tu reacción cuando te pidieron que fueras parte del equipo de empleados del comic book de World of Warcraft?
Ludo: Casi no lo pude creer, fue algo irreal cuando supe que lo logré. No lo esperaba realmente, fue como “Déjame tratar, no tengo nada que perder”, Ahora que el proyecto ha comenzado con éxito y soy el artista encargado, se siente muy extraño cuando la gente habla del comic book de World of Warcraft en la televisión, internet, o en la prensa, porque me recuerda que soy yo quien dibuja para este juego enorme; y eso ocupa la mayor parte de mi trabajo diario … es muy raro … a veces pienso en las primeras horas que jugué World of Warcraft cuando fue lanzado en Francia algunos años atrás sin tener una idea que sería yo el que dibujaría el comic book del juego!
7. ¿Cómo se ha expandido tu relación con Wildstorm hasta ahora?
Ludo: Wildstorm es la que se encarga de supervisar la elaboración del comics, y son ellos los que administran el proyecto. So tengo solo unos pocos contactos directos con ellos, es todo mayormente correo-electrónico con ellos.
8. ¿Cómo es tu comunicación con Walter Simonson, el escritor de la historia del comic book World of Warcraft?
Ludo: Wildstorm es quién administra el comic book, de modo que no tengo tanto contacto directo con él.
9. ¿Qué haces cuando recibes las notas de cómo dibujar cada panel del comic book?
Ludo: Eso depende de lo que yo tenga que dibujar, si es una página que necesita referencias, investigo sea en la internet, o directamente dentro del juego. Después de investigar información, trato de trabajar en una solución para idear lo que voy a dibujar y que funcione con la historia de Walter. El método que usamos es bién flexible para mí porque puedo fácilmente adaptar la historia con mi estilo artístico, y entonces Walter trabaja nuevamente con la historia editando los textos de acuerdo con mis dibujos.
10. ¿Tienes algún contacto con Sandra Hope y Randy Mayor después de que terminas tus paneles? O es otra persona la que se encarga de supervisar que los colores y tinta son correctos con el estilo y mitología del universo de Warcraft?
Ludo: Como dije, Wildstorm administra esa etapa … sin embargo, estoy muy satisfecho con el trabajo de tintado y colorización, así que no superviso mucho esos aspectos. Soy un gran fanático de Sandra desde su trabajo en “OUT THERE” y del trabajo de alta calidad de Randy. No sé si él tiene alguién que le supervise los colores para que haya consistencia, ó si él investiga por su cuenta, pero de todas formas creo que él respeta mucho el universo de World of Warcraft.
11. ¿Haz jugado Warcraft III ó cualquier juego anterior de Warcraft?
Ludo: Yo he jugado Warcraft III y también tengo la expansión del juego en uno de mis armarios. De hecho busqué esos juegos para comprarlos una vez que fui contratado para dibujar el comic book para refinar mi conocimiento de la mitología de Warcraft, pero debido a mi falta de tiempo no pude avanzar mucho en los niveles del juego. Afortunadamente, hay varias formas de aprender acerca de la historia de Warcraft, principalmente en la internet. Pero realmente descubrí éste universo jugando World of Warcraft.
12. Escuché que eres un apasionado jugador de World of Warcraft, con un personaje nivel 70. Hay algún escenario interno o externo, o calabozo, paisaje, objeto, personaje artificial que te inspire como para capturarlo en un dibujo? Note que capturaste Dire Maul desde la vista dentro de un Zepelin, y un dibujo de la entrada de Booty Bay.
Ludo: Soy un gran jugador de World of Warcraft, al menos fui, porque apenas tengo tiempo. Mi personaje nivel 70 debe sentirse un poco solitario sin mi … aunque eso podría cambiar una vez que la expansión “Wrath of the Lich King” salga, lo cual ciertamente va a ser divertido con mis publicadoras editoriales. Me encantaría dibujar a Illidan, ó a Arthas y trabajar con sus mitologías … pero creo que Blizzard preferiría desarrollar y expandir las historias de intrigas que son un tanto nebulosas en el universo.
13. ¿Miraste algunos de los dibujos y conceptos artísticos de los artistas de Blizzard para guiarte con el arte del comic book, o jugaste el juego para mirar locaciones como Orgrimmar y otros lugares?
Ludo: Ambos. Yo he estudiado la decoración en el juego para mantener los escenarios del comic book fiel con los vistos en el juego por los jugadores, y también he visto el trabajo de los artistas de Blizzard para familiarizarme con su visión del universo Warcraft sin la limitación gráfica que presenta el juego de World of Warcraft.
14. ¿Tienes la abilidad ó intención de introducir algún elemento de diseño único en el universo de World of Warcraft, como architecturas ó criaturas, monstruos, ó estás limitado estrictamente a dibujar lo que te piden?
Ludo: Ellos me han dado libertad, “carte blanche” para ciertos elementos. Por ejemplo, en el libro número trés hay un elemental en el Pozo de Visiones (Pool of Visions) en Thunderbluff que no estaba supuesto a estar ahí. Blizzard me permitió dibujar eso … sin embargo tomé en cuenta que era necesario dibujarlo como una criatura parecida a lo que se puede encontrar en el juego de World of Warcraft, así que lo dibujé de forma que pareciera un monstruo que pertenece a la familia de elementales de la tierra (Earth Elemental).
15. ¿Es éste tu primer projecto en el campo de la Fantasía?
Ludo: No, el libro manga en el que estoy trabajando en Francia es una serie de Fantasía. Otras series en las que he trabajado (Lillian Cortéz) podría también ser considerado como fantasía (pero más en el estilo de “Final Fantasy”).
16. ¿Encontraste algún reto a lo largo del desarrollo de cada libro del comic book World of Warcraft? ¿Cómo los resolviste?
Ludo: Actualmente me siento más y mas cómodo con este proyecto. Estaba un poco tímido al principio, pero con el tiempo me acostumbré. Mis mas grandes dificultades son los tiempos límite que me dá la publicadora editorial Wildstorm para entregar los dibujos, porque también tengo un contrato con el libro manga “Lanfeust Quest” aquí en Francia. Así que cada més a parte de las 22 páginas del comic book World of Warcraft, también tengo que dibujar 60 páginas del libro manga, y es bién difícil ese rítmo de trabajo con corto tiempo para entregarlos. Hasta ahora soy un arduo trabajador sin vida.
17. ¿Cuán envuelto está Blizzard Entertainment cuando se refiere a cada dibujo, panel, página y libro en el que tú dibujas?
Ludo: Sé que hay mucha gente de Blizzard que está observando cómo se desenvuelve éste proyecto, ellos me ayudan a chequear si hay algun error en la mitología, las razas, etc. … y cuando me piden que arregle algo en mis dibujos por lo general cae dentro de “cambia éste puñal por un bastón”, ó algo por estilo.
18. ¿Tienes planes en tu carerra más allá del comic book World of Warcraft# 1-12?
Ludo: Probablemente voy a dibujar el primer arco del número uno al seis, pero el primer arco va a tener un libro extra, por lo tanto hasta el libro número siete. Después de eso estaré dibujando la cubierta de los libros número ocho al trece … pero ciertamente voy a estar de regreso. El manga francés me toma mucho tiempo, y de verdad me gusta dibujar el manga francés … pero también amo dibujar el comic book World of Warcraft. Actualmente, amo dibujar estos proyectos. Por desgracia solo hay venticuatro horas en el día!
WORLD OF WARCRAFT# 4 – VISTA ADELANTADA
|SUNBLADE BLOOD KNIGHT
Next: The Assembly Chamber >>
MAGISTER’S TERRACE VIDEO
World of Warcraft# 1 Comic Book – Ludo Lullabi Interview
1. Peux-tu te présenter aux fans de warcraft? Au niveau vie perso comme ta formation et ta carrière pro?
Je m’appelle Ludo Lullabi, j’ai 29 ans, je suis auteur de BD autodidacte et je vis dans le sud de la France.
J’ai travaillé sur plusieurs séries en france (Eternal Midnight, Kookaburra Universe, Lilian Cortez…). En parallèle de Warcraft je travaille sur l’adaptation au format manga du best seller de la bd française “lanfeust de troy”; le nom de ce manga s’appelle “Lanfeust Quest”.
2. Après avoir lu le preview de san diego de wow, j’ai lu que tu avais soumis tes samples à blizzard pour faire une adaptation de wow en comics. Es-ce toi qui a joué un rôle dans la concrétisation de ce projet ou bien est-ce que c’est blizzard qui a mis en place cete adaptation en même temps que tu avais fait passer ton dossier?
Lorsque j’ai proposé mes services auprés de Blizzard pour l’adaption de Warcraft en comics,ils m’ont trés vite répondus que mon travail leur avait plu et que ce serai moi qui ferai le comics…cependant je ne sais pas s’il y avait vraiment un projet d’adaptation en cours à ce moment là ou si cela c’est fait aprés. Il faut savoir qu’entre le moment où j’ai remis ce dosssier et le moment où j’ai commencé à travailler vraiment sur le comics ils s’est passé environ 1 an et demi…
3. Que t’a dit blizzard au sujet de ton travail?
Comme dit au dessus, j’ai eu des retours trés positifs de la part de Blizzard au sujet de ce dossier, et depuis que je travaille sur le comics je sais qu’ils sont trés content du résultat.
4. Dans le preview, on lit que warcraft est ton premier projet US, as-tu déménagé là -bas? Si oui, comment cela c’est-il passé?
Non je n’ai pas déménagé, c’est effectivement mon premier travail US et je pense que ce ne sera pas le dernier cependant j’ai encore beaucoup de projets français sur lesquels je travaille en même temps comme le manga “Lanfeust Quest” donc je reste en France. Le travail avec les US se fait avec beaucoup d’échanges mails et des transporteurs pour faire voyager mes planches de chez moi à San Diego.
5. Comment c’est passé ta première approche de DC/Ws?
Au départ je travaillais sur le projet avec mon editeur français (soleil productions) car on pensait faire une adaptation de wow pour l’Europe, je ne m’attendais pas vraiment à bosser sur l’adaption comics avec wildstorm pour les US. Soleil productions s’occupe toujours de la sortie de la série en France et mes premiers contacts avec DC se sont fait par le biais de Soleil. A l’heure actuelle je suis en contact direct avec Wildstorm mais Soleil est quand même trés impliqué dans le projet par rapport à moi.
6. Qu’elle a été ta réaction quand ils t’ont dit que tu faisais partie du team warcraft?
C’est quelque chose d’assez irréel car quand j’ai fait le dossier de présentation je ne m’attendais vraiment pas à grand chose, c’était du genre “j’ai rien à perdre de toute façon”, mais se retrouver à faire le comics officiel je ne m’y attendais pas du tout. Maintenant que le projet est bien démarré je commence à m’y faire mais c’est toujours trés bizarre dés qu’on parle de WoW à la télé, sur internet ou dans la presse , ça me rapelle que c’est moi qui réalise le comics de cet énorme jeu et que ça occupe un grosse partie de mes journée de boulot…c’est trés bizarre…Je repense parfois à mes premières heures de jeu lorsque celui-ci est sorti en france il y a quelques années sans me douter qu’un jour je ferai le comics!
7. Et comment s’est développée ta relation avec eux depuis?
C’est Wildstorm qui s’occupe de superviser l’élaboration du comics et c’est eux qui centralise le projet, donc je n’ai eu que trés peu de contacts direct avec eux, j’ai surtout des mails de leur part par le biais de Wildstorm.
8. Comment communiques-tu avec Walter Simonson?
Wildstorm qui centralise donc je n’ai pas de contact direct avec lui…
9. Comment fais-tu pour adapter ses notes et créer chaque case?
ça dépend de ce que j’ai à faire, si c’est une page qui nécessite des références je vais faire des recherches soit sur le net soit directement in game. Aprés ça je me laisse aller en faisant en sorte de trouver une solution pour réaliser quelque chose que j’ai envie de dessiner et qui correspond au script de walter. La méthode employé est assez souple pour moi car je peu adapter assez facilement le script avec mon style, walter s’occupe de retravailler les textes aprés en fonction de mes dessins.
10. Es-tu en contact avec sandra hope ou randy mayor après avoir fini tes pages? Ou bien quelqu’un d’autre supervise-t’il l’encrage et la mise en couleur pour respecter l’environnement de warcraft?
Comme pour le reste c’est Wildstorm qui centralise…Cependant je suis trés satisfait du travail sur l’encrage et les couleurs donc je n’aurai pas grand choses à superviser. Je suis Fan de Sandra depuis “OUT THERE” et le travail de Randy est vraiment top, je sais pas si quelqu’un le supervise pour la fidélité des couleurs ou s’il fait ses recherches lui-même, en tout cas je trouve qu’il respecte vraiment bien l’univers de WoW.
11. As-tu joué à warcraft III ou les précédents jeux?
J’ai joué à warcraft 3, j’ai aussi l’expansion qui attends sur une de mes étagères. En fait je me suis procuré ces jeux un peu avant le début du projet afin de peaufiner ma connaissance de la mythologie wow, mais faute de temps j’ai pas beaucoup avancé dans ces jeux. Heuresement il y a beaucoup de moyens de connaitre mieux la mythologie de wow, notemment grace au net. En fait j’ai vraiment découvert cet univers avec World of Warcraft.
12. J’ai entendu dire que tu étais un joueur vorace de wow avec un niveau de perso de 70. Est-ce qu’il y a un des scènes d’intérieur ou d’extérieur, des scénar de donjons, des paysages, des objets, des NPC qui t’inspirent particulièrement pour créer les dessins? J’ai remarque que tu as choisi la vue de Dire Maul depuis un Zeppelin et un dessin de l’entrée de Booty Bay.
Je suis un gros joueur de wow , du moins je l’étais car faute de temps mon lvl 70 se sent un peu seul…mais ça risque de repartir avec “wrath of the lich king” ce qui va certainement faire trés plaisir à mes éditeurs J’adorerai bosser avec illidan ou arthas, je rêverai de réaliser leur mythologie…mais je pense que Blizzard préfère développer les intrigues encore assez floues de l’univers.
13. T’es tu inspiré de dessins des artistes blizzard comme concepts pur le comics ou as-tu joué au jeu pour regarder orgrimmar et les autres lieux?
Les deux, j’ai étudier les décors dans le jeu pour la fidélité envers les joueurs et également le travail des disigner pour me familiariser avec leur vision de l’univers sans les contraintes et limites graphiques liés au jeu.
14. Es-tu capable et as-tu l’envie d’introduire de nouveaux éléments de design dans le monde de warcracft comme de l’architecture ou des créatures, ou dois-tu respecter scrupuleusement ce qu’on te donne?
On m’a laisser carte blanche sur certains éléments. Par exemple dans l’issue 3 on a un élémentaire des caverne qui ne fait pas parti du jeu, on m’a laissé le disigner… j’ai quand même pris en considération le fait qu’il faut que ce soit une créature qui puisse se retrouver dans le jeu donc j’ai fait en sorte qu’on puisse croire qu’il fait partie de la même famille que les élémentaires de terre…
15. Est-ce ton premier projet de fantasy?
Non, le manga sur lequel je travaille en France est une série de Fantasy. Une autre série sur laquelle j’ai travaillé (Lilian Cortez) pourrait s’appenter à de la fantasy (mais plus dans le style “final fantasy”.
16. Sur quels projets de BD as-tu travaillé avant le premier numéro de wow?
J’ai répondu un peu plus haut :-), différentes séries en France.
17. As-tu rencontré des difficultés au fil des nouveaux numéros du comics? Comment t’en es-tu sorti?
En fait je suis de plus en plus à l’aise sur ce projet, on est un peu timide au début mais avec le temps on prend ses marques. Ma plus grosse difficultés sont les délais car en plus de warcraft je suis en contrat pour le manga “Lanfeust quest” donc tous les mois en plus des 22 pages de warcraft j’ai 60 pages de manga à faire et du coup il est trés difficile de tenir les délais…en ce moment je suis un “Nolife”…de travail
18. Quelle est l’implication de blizzard dans la réalisation de tes planches, à chaque case, à chaque planche, à chaque numéro? (Samwise didier je suppose)
Je sais qu’il y a beaucoup de personnes au sein de Blizzard qui surveille le bon déroulement du projet, à mon niveau ils m’aident à vérifier que je ne fait pas d’erreur sur la mythologie, les races les métiers…donc quand j’ai des corrections à faire c’est surtout du style “changer une dague en bâton” on des trucs de ce genre…
19. Quels sont tes plans après le comics World of Warcraft# 1-12?
Normalement je ne devais faire que le premier arc (#1-6), finalement ce premier arc aura un numéro de plus (donc#1-7), aprés je ne serai que sur les couvs des #8-13…mais je vais certainement revenir sur la suite…
Là en fait y’a plein de trucs de prévus faut juste que j’arrive à organiser tous ces projets, le manga français me prends déjà énormement de temps et j’adore bosser dessus …mais j’adore bosser aussi sur wow…en fait j’adore tous ces projet, dommage qu’il n’y ai que 24h dans une journée !!
WORLD OF WARCRAFT# 4 – PREVIEW
Recently, Walter Simonson told us in our interview some of the story arc details behind the World of Warcraft comic book. This time we asked Ludo Lullabi various questions about his career background and how he acquired the opportunity to pencil the artwork of this successful Wildstorm comic book. The moment fans of the World of Warcraft game beheld Ludo’s artistic style they fell in love with the comic book. The community may now find out more about Ludo Lullabi, if he plays the MMORPG, and how long will he be commited to this project. At the bottom, we have exclusive preview images of World of Warcraft# 4 courtesy of DC Comics. Issue# 4 hits newsstands on February 20th, 2008.
1.Could you introduce yourself to the World of Warcraf fans? Personal life highlights such as college, and career background.
Ludo: My name is Ludo Lullabi, I’m 29 years old. I’m a self-proclaimed BD artist, and I live in Southern France.
I’ve worked on several series in France (Eternal Midnight, Kookaburra Universe, Lilian Cortez) … Paralell with World of Warcraft, I’m working on the adaptation to manga format of the best selling french comic book named “Lanfeust de Troy”; the name of the manga is Lanfeust Quest.
2. After reading the World of Warcraft Con-exclusive Ashcan (sampler), I found out you submitted files to Blizzard and the idea of a WoW adaptation to comic books. Were you who got the ball rolling for the comic book to become reality, or was this something already set in motion by the time you contacted Blizzard?
Ludo: When I proposed my services to Blizzard for the adaptation of World of Warcraft in comic book format, they were very fast in their reply, saying that they enjoyed what I’ve done and that it would be me who would do the comic book; meanwhile, I didn’t really knew if there really was a project of adaptation going on, or if it was planned for a later date.
3. What did Blizzard tell you about your artwork talent?
Ludo: Like I said earlier, I’ve had very positive feedback from Blizzard regarding the drawings I sent them and while I’m working on the comics, I know they are very happy with the results.
4. In the Ashcan, it says World of Warcraft# 1-12 comic book is your first American project. Did you have to relocate to the United States? If so, what challenges or good things have happened to you ever since?
Ludo: No, I didn’t have to relocate, this is in fact my first United States work and I think it won’t be the last considering I have several french projects I’m working on at the same time as “Lanfeust Quest “, while I’m in France. My work with the US is done with a lot of mail exchanges, and the use of transports to send my drawings from my home to San Diego.
5. How was your first approach with DC/Wildstorm?
Ludo: At the beginning, I was working on the project with my french editor (Soleil Productions), because we thought on making an adaptation of World of Warcraft for Europe. I wasn’t really expecting doing it with Wildstorm for the United States. Soleil Productions is always in charge of distributing the series in France and my first contacts with DC Comics were made by liaison of Soleil. Nowadays I’m in direct contact with Wildstorm, but Soleil is still very commited in the project.
6. What was your reaction when they called you to join the World of Warcraft comic book team?
Ludo: It was something rather unreal when I made the file. I wasn’t really expecting much out of it, it was something like “I have nothing to lose”, but I wasnt expecting when the comic was made official. Now that the project is well started and I’m working on it, it’s still very weird when people talk about WoW on the television, internet, or the press, because that reminds me thats me who is making the comics of this enourmous game; and that occupies a large part of my daily job ; It’s very weird ; I sometimes think about my first hours of the game when it came out in France some years ago without having a clue that it was going to be me who would be doing the comics!
7. How has your relationship with Wildstorm spanned out so far?
Ludo: It’s Wildstorm who is in charge of supervising the elaboration of the comics, and it’s them who centralize the project. So I only have very few direct contacts with them, it’s mostly mails from them.
8. How is your communication with Walter Simonson?
Ludo: It’s Wildstorm who’s centralizing, so I don’t have direct contact with him.
9. How do you deal with his notes to create each panel?
Ludo: That depends on what I gotta do, if it’s a page that needs references, I do research either on the net, or directly in-game. After that, I try to work out on a solution to make something I want to draw and that works with Walter’s script. The method we use is pretty flexible to me, because I can easily adapt the script to my style, and then Walter reworks on the texts according to my drawings.
10. Do you have any contact with Sandra Hope and Randy Mayor after you are done with all the panels? Or does someone else take care of supervising that coloring and ink matches the Warcraft mythos and style?
Ludo: Like I said, it’s Wildstorm who’s centralizing ; however, I’m really satisfied with the work on the ink and colours, so I don’t supervise much on those aspects. I’m a big fan of Sandra since “OUT THERE ” and Randy’s work is top quality. I don’t know if he has someone who supervises the colours for consistency, or if he does research by himself, but either way I think that he’s respecting the World of Warcraft universe.
11. Have you played Warcraft III or its previous games?
Ludo: I’ve played Warcraft 3 and i also have the expansion which is sitting on one of my shelves. In fact I searched for those games after the beginning of the project to refine my knowledge of the warcraft mythology, but because of lack of time I never advanced much on those games. Fortunately, there’s lots of ways to learn about the lore, mainly the internet. But I really discovered this universe in World of Warcraft.
12. I heard you are an avid World of Warcraft player, with a level 70 character. Are there any outdoor, indoor or dungeon scenarios, landscapes, objects, NPCs that you find inspiring as to capture as artwork? I noticed how you captured Dire Maul from a Zeppelin view, and a sketch of the Booty Bay entrance.
Ludo: I’m a big WoW player, at least I was, because of lack of time my level 70 is feeling a little lonely ; but that may change with “Wrath of the Lich King,” which will certainly be a lot of fun with my editors. I’d love to draw Illidan, or Arthas and work on their mythology ; but I think Blizzard prefers to develop the intrigues which are still rather fuzzy in the universe.
13. Did you look at Blizzard artists’ drawings and concept art as a guide for the comic book, or did you play the game to look at Orgrimmar and other locations?
Ludo: Both, I’ve studied the decoration in the game to keep it faithfull for the players, and also the work of the artists to familiarize myself with their vision of the universe without the constraints and graphical limitations of the game.
14. Do you have the ability/intent to introduce any unique design elements to the warcraft world, such as architecture or creatures, or is it strictly by the books?
Ludo: They gave me carte blanche” for certain elements. For example, in issue # 3 there’s an Elemental in the Pools of Vision that wasn’t suppossed to be there. They let me draw that ; nevertheless I took into account the fact that it was necessary to make it look as a creature that you could find in the game thus I made it so that one can believe that it made part of the Earth elemental family.
15. Is this your first fantasy world related project?
Ludo: No, the manga I’m working in France is a Fantasy series. Another series I’ve worked (Lilian Cortez) could also be considered fantasy (but more of the style “Final Fantasy”).
16. Did you find any challenges along the development of each comic book issue? How did you overcome them?
Ludo: Actually I’m more and more at ease with this project, I was a little shy at first, but in time I got used to it. My biggest difficulties are the deadlines, because I also have a contract with the manga “Lanfeust Quest”. So every month aside from the 22 pages of World of Warcraft, I also have 60 pages of manga to do, and it’s very difficult to keep up with the deadlines. At this moment, I’m a working “no life”
17. How much involved is Blizzard Entertainment when it comes to approving each artwork, panel, page, and comic book issue you work on? (Samwise Didier, I guess)
Ludo: I know that there’s alot of people in Blizzard who are observing the right unfolding of the project, they help me check if there’s any mistakes in the mythology, the races, etc. … and when I do have corrections to do, it’s usually in terms of “change that dagger into a staff”, or something along those lines …
18. Any plans in your career beyond World of Warcraft# 1-12?
Ludo: I probably should only do the first arc (#1-6) but it will have an extra issue ( so it’s #1-7), after that I will only do the covers of #8-13 … but I will certainly be back. The french manga is already taking an enormous amount of time, and I do love drawing it … but I also love drawing World of Warcraft. Actually, I love all these projects, too bad there’s only 24 hours in a day!!
Thanks, Ludo Lullabi for your time and dedication to the World of Warcraft comic book and to this interview. Fans may visit the Comics Store Locator to search their nearest store by zipcode to buy the most recent issues. On July 2008, DC Comics is releasing World of Warcraft Vol. 1, a tradepaper back collecting the first 7-issues of the first arc.
WORLD OF WARCRAFT# 4 – PREVIEW
Upper Deck Entertainment recently announced the upcoming release of a new art book titled World of Warcraft: The Art of the Trading Card Game. An official release date has not been announced, but the book should debut this month (January 2008). It will be hard to describe the contents of this book, but it is just thrilling to hold it in your hand, and browse through pages and pages of great Warcraft-inspiring artwork. This review is divided into a few categories to take you along my journey as I open the box it was shipped to me in. The first thing you see after opening the box dazzles you and makes the experience more joyful: its overall cover design.
World of Warcraft: The Art of the Trading Card Game is a big book of 288-pages and 11” wide x9” high in dimensions. The book is eleven inches in width, so you have the pleasure of viewing bigger illustrations in more detail. I placed this book on my left hand to compare its weight with the, also big, Warcraft Manga Ultimate Edition I reviewed a few weeks ago. Upper Deck’s book is heavier. The first thing that captures your attention at eye contact is the awesome Ragnaros artwork on its jacket design cover with brilliant orange and yellow tones. Placing your hand on and rubbing the material of the jacket design cover feels like soft waxed paper. I had to rub the cover a few times. It just feels so good and comfortable to the touch. Almost addictive. Shows how much well thought the design of the book was conceived to pleasure visual and tact senses.
The cover is just a jacket paper wrapped around the book, which can be easily detachable, as it has no restraints binding it to the book. Personally, and this is my choice, I would remove the jacket design cover and frame it for posterity. You don’t want a fingerprint-smeared cover. It is so perfect looking, you would want to conserve it pristine.
On the back, it has six small icons on fire showing the logos and image of the World of Warcraft TCG series: Heroes of Azeroth, Through the Dark Portal, Fires of Outland, Onyxia’s Lair, Molten Core Raid Deck and Magtheridon’s Lair.
At the top of the back cover, it says: “Experience World of Warcraft:; through the eyes of the world’s top fantasy artists in this collection of paintings from the World of Warcraft® Trading Card Game. More than 300 dramatic visions of Azeroth come to life from such acclaimed talents as Samwise Didier, Todd McFarlane, Greg Staples, Zoltan Boros & Gabor Szikszai, Marcelo Vignali, Todd Lockwood, and others. At the bottom it says: Feel the magic. Live the glory. Heed the call!
On the interior of the jacket paper wrapping the book, it says:
THE WAR IS REAL.
Experience the fantastic world of Azeroth like never before in World of Warcraft: The Art of the Trading Card Game, a compendium of World of Warcraft®‘s most valiant heroes, devastating spellcasters, and bloodthirsty creatures. Upper Deck Entertainment, the co-creator of the popular World of Warcraft® Trading Card Game, has sifted through its vast archive of card art to share more than 300 drawings and paintings in epic detail.
Featuring the talent of such master craftsmen as Todd McFarlane and Greg Staples, World of Warcraft: The Art of the Trading Card Game brings our most primeval dreams to life, weaving an elaborate tapestry of might and magic. Each breathtaking piece draws the reader further into the World of Warcraft® mythology, which has entranced millions of players worldwide. Complementing the stunning imagery are forewords by Blizzard Entertainment® Senior Art Director Samwise Didier and Art Lead Glenn Rane that provide unique insight into The Blizzard Way.
With more than 300 fantastic pieces of art, World of Warcraft: The Art of the Trading Card Game is the ultimate companion to the World of Warcraft® universe and a must-have treasure for World of Warcraft® enthusiasts everywhere.
BOOK COVER AND MATERIALS
I haven’t yet reviewed the artwork within, and I am already excited by the physical aspect: materials and design of this book. Let’s remove the jacket paper wrapping the book for a moment. I couldn’t but gasp at the material of the book cover. It is fairly a one-eight-of-an-inch thick. Rock solid, rigid cardboard. It takes some effort to attempt to bend it. The solid cardboard is wrapped firmly by what looks like a brown and very textured fabric. This one can’t be detached. It is embedded on the cardboard. In front of the book cover is symbol stamped in yellowish metalic paint … Two inverted triangles merged, a flaming eye at the center and a horned-skull above the eye. Opening the book to see its interior will make many who purchase this book a happy panda. Fifteen years ago, I graduated college with a Graphic Arts degree. Material planning and cost management was among the courses comprehending its program. I can tell you, right off the bat, this book has high quality materials. All pages are thick glossy paper. Nice to the touch, visually appealing, and … hold, sniff-sniff. These pages have a pleasant perfume fragance. Shows there was a lot of work, thought, and detail put into creating this book.
6 Foreword: Samwise
12 The Alliance
204 Monsters & Locations
Forewords take a full page divided in two columns with a sample artwork on the next page. The Samwise f
oreword section offers you a nice Samwise artwork showing the Warcraft III Panda hero who splits into three pandas showing
its fire, air and earth aspects. That would make a great desktop wallpaper, if you have a scanner. Samwise explains how each artist is handpicked from hundreds of candidates and how each artist is brainwashed, and practice and practice until they get the artistic nature of the Blizzard style.
Glenn Rane goes into explaining the term called “Blizzard Quality” which is meeting and exceeding people’s expectations. Jeremy Cranford, Upper Deck Entertainment Creative Manager, Art Acquisition of the World of Warcraft TCG explains how they aimed to bring Warcraft to life through detailed artwork, similar to how Alex Ross does for comic books. Jeremy explains the process of hiring various artists with attention to details, and how as Creative Manager he criticizes and guides each artist in capturing the Warcraft feel. His foreword shows three before-and-after sample images showing how concept art has evolved after he has criticized or suggested an artist to make changes in order to capture the Warcraft feel.
The World of Warcraft TCG cards are divided in three categories: The Horde, The Alliance and Monsters & Locations. Some of the Monsters include Un’Goro dinosaurs, Molten Core bosses, Magtheridon and Onyxia. Each artwork is catalogued with Card Name, Artist Name and Medium Used—information placed near the card artwork. For example, the first artwork is described as follows:
Most of the artwork is either made on digital, oil, or acrylic medium, with a very few exceptions which use colored pencil or gouache. Most of the artworks are incredibly detailed, and were painted with bright colors. Some of the stunning artwork resembles that of old-school Dungeon & Dragons, Dragonlance book covers, and other fantasy-setting books. Other artworks such as artist Udon and Michael Komarck’s look like norse mythology a la Alex Ross. Some artists such as Clint Langley use surreal or 3D elements. Each style capturing amazingly the World of Warcraft feel. Or comic-stylish such as the four TCG artworks by Gabe from Penny Arcade: Leeroy Jenkins (Warrior), Lt. Commander Dudefella (Mage), Dizdemona (Warlock) and Wyneth Harridan (Paladin).
Every World of Warcraft race and class is represented in this book, including the Draenei and the Blood Elves. Some of the cards portraying abilities, spells, items and weapons are shown in this book, such as bloodlust, charge, battle shout, fear, Sword of a Thousand Truths, Spectral Tiger, pick pocket, dampen magic, Noggenfoggen Elixir – among many others. If you can’t have enough after purchasing the World of Warcraft: Art of the Trading Card Game, you may be glad to know the jacket cover tags this book as Volume I, which may suggest there might be more volumes with new stunning artwork from the World of Warcraft TCG Series.
Whether you are a World of Warcraft TCG player, a Warcraft fan, or an artist yourself looking for inspiration and drawing/painting techniques from other fellow professional artists, this World of Warcraft: Art of the Trading Card Game is a must-have in your wishlist.
World of Warcraft®: The Art of the Trading Card Game
In January 2008, Upper Deck and Blizzard Entertainment® will release World of Warcraft®: The Art of the Trading Card Game, a new hardcover book featuring artwork created for the highly popular World of Warcraft Trading Card Game (TCG). Published by Chronicle Books, the 288-page, 11″x9” book will include more than 300 full-color iconic pieces of art featured during the first year of release of the World of Warcraft TCG.
World of Warcraf®: The Art of the Trading Card Game will include a collection of sketches, paintings and finished artwork highlighting a selection of World of Warcraft’s most valiant heroes, devasting spellcasters and bloodthirsty creatures created by some of today’s top fantasy artists. These artists include Todd McFarlane (Spawn), Greg Staples (Judge Dredd), Zoltan Boros and Gabor Szikszai (InQuest Gamer magazine’s “Artists of the Year” recipients), Marcelo Vignali (Disney Animation), and Todd Lockwood (Forgotten Realms), among others.
Insightful forewords are given by Blizzard’s Senior Art Director, Samwise Didier, and Art Lead Glenn Rane. Jeremy Cranford, Art Acquisitions Manager for Upper Deck Entertainment, provides the book’s introduction.
$40.00 – Save $10
CARD TITLE INDEX
Aegis of the Blood God
Aldori Legacy Defender
Ancient Core Hound
Aspect of the Hawk
Aspect of the Viper
Bad Mojo Mask
Call of the Wild
Faith Healer’s Boots
Girdle of Uther
Golemagg the Incinerator
Gurubashi Dwarf Destroyer
The Hammer of Grace
Obsidian Edged Blade
Panax the Unstable
The Perfect Stout
Phadalus the Enlightened
Prayer of Healing
GC2007 Coverage from all around the web concerning
Starcraft II and World of Warcraft: Wrath of the Lich King
Since the announcement of World of Warcraft: Wrath of the Lich King at Blizzard Entertainment’s Game Convention dubbed BlizzCon 2007—at Anaheim Convention Center, it’s come to attention the introduction of its new World Map which has added new islands and landmasses. The new landmass or peninsula is wrongly perceived to be part of Stormwind. Taking a closer look, this will be one of the placeholder regions, the one west of Burning Steppes. The place is an enigma as there is no records in Warcraft lore or early Warcraft II maps describing this region. Among the isles seen in the new World Map are Tel Abim (east of Theramore), Isle of Kezan (the biggest isle in the South Seas mostly known for its Undermine City, land of the Goblins, located south of the Maelstrom), Plunder Isle (the smallest isle, west of Stranglethorn Vale) and Zandalar Isle (home of the Zandalar trolls who give quests for Zul’Gurub, the isle is located to the southwest of Westfall)—as shown below.
Since the announcement of World of Warcraft: Wrath of the Lich King at Blizzard Entertainment’s Game Convention dubbed BlizzCon 2007—at Anaheim Convention Center, it’s come to attention the introduction of its new World Map which has added new islands and landmasses.
The new landmass or peninsula is wrongly perceived to be part of Stormwind. Taking a closer look, this will be one of the placeholder regions, the one west of Burning Steppes. The place is an enigma as there is no records in Warcraft lore or early Warcraft II maps describing this region.
Among the isles seen in the new World Map are Tel Abim (east of Theramore), Isle of Kezan (the biggest isle in the South Seas mostly known for its Undermine City, land of the Goblins, located south of the Maelstrom), Plunder Isle (the smallest isle, west of Stranglethorn Vale) and Zandalar Isle (home of the Zandalar trolls who give quests for Zul’Gurub, the isle is located to the southwest of Westfall)—as shown below.
Click the image
With the appearance of these isles in the World Map, the questions are … will the South Seas ship in World of Warcraft: Wrath of the Lich King? Will the South Seas be added to Wrath of the Lich King as downloadable major content patches? Or will the South Seas be a future standalone expansion pack? This is not yet clear. And Blizzard has given no official word or announcement on the topic. Blizzard introduced new isles to the world map with World of Warcraft: Burning Crusade on November 2006. These new isles became the Draenei level 1-20 starting location: Azuremyst and Bloodmyst—just south of Teldrassil. Both isles are pretty big even for a level 70 player on an epic mount. Took me about an hour or longer to travel and explore both Isles to make sure the map would show all locations as fully explored. By looking at the new World Map in Wrath of the Lich King expansion pack: Tel Abim Isle, Zandalar Isle and Plunder Isle look barely smaller than Bloodmyst alone. So, it wouldn’t take much work to add these in the second expansion. After all the Burning Crusade expansion added Outland, Bloodmyst Isle, Azuremyst Isle and Quel’Thalas altogether at game launch, and leaving Black Temple and Zul’Aman off game launch as major content patches. Even the Northrend demo shown at Blizzcon 2007, is not all the content of the second expansion. It is obvious, the expansion is still in development and Blizzard didn’t have everything ready to show it all at Blizzcon. As you may see on the screenshot below, Blizzard only showcased the Borean Tundra, Dragonblight, Grizzly Hills and the Howling Fjord.
With the appearance of these isles in the World Map, the questions are … will the South Seas ship in World of Warcraft: Wrath of the Lich King? Will the South Seas be added to Wrath of the Lich King as downloadable major content patches? Or will the South Seas be a future standalone expansion pack?
This is not yet clear. And Blizzard has given no official word or announcement on the topic.
Blizzard introduced new isles to the world map with World of Warcraft: Burning Crusade on November 2006. These new isles became the Draenei level 1-20 starting location: Azuremyst and Bloodmyst—just south of Teldrassil.
Both isles are pretty big even for a level 70 player on an epic mount. Took me about an hour or longer to travel and explore both Isles to make sure the map would show all locations as fully explored.
By looking at the new World Map in Wrath of the Lich King expansion pack: Tel Abim Isle, Zandalar Isle and Plunder Isle look barely smaller than Bloodmyst alone. So, it wouldn’t take much work to add these in the second expansion. After all the Burning Crusade expansion added Outland, Bloodmyst Isle, Azuremyst Isle and Quel’Thalas altogether at game launch, and leaving Black Temple and Zul’Aman off game launch as major content patches.
Even the Northrend demo shown at Blizzcon 2007, is not all the content of the second expansion. It is obvious, the expansion is still in development and Blizzard didn’t have everything ready to show it all at Blizzcon. As you may see on the screenshot below, Blizzard only showcased the Borean Tundra, Dragonblight, Grizzly Hills and the Howling Fjord.
Click the image
The screenshot above shows gray-marked unexplored regions north of these yellow marked regions mentioned above. The missing locations not revealed at Blizzcon 2007 panels are: Sholazar Basin, Lake Wintergrasp, Storm Peaks, Azjol-Nerub, Crystalsong Forest, Zul’Drak and the stronghold of the Lich King … Icecrown Glacier and its Frozen Throne.
The screenshot above shows gray-marked unexplored regions north of these yellow marked regions mentioned above. The missing locations not revealed at Blizzcon 2007 panels are: Sholazar Basin, Lake Wintergrasp, Storm Peaks, Azjol-Nerub, Crystalsong Forest, Zul’Drak and the stronghold of the Lich King … Icecrown Glacier and its Frozen Throne.
Click the image
Back on 2005, the first Blizzcon only revealed Outland and the new race: Blood Elves along with their homeland Quel’Thalas as their level 1-20 starting location. The second new race was kept secret and not shown at Blizzcon 2005. The Draenei and their starting location: Azuremyst and Bloodmyst Isles were revealed around May 2006 by an Italian magazine which leaked the Draenei as the new race. Will Blizzard surprise fans with the announcement of South Seas as part of the Wrath of the Lich King expansion? We will have to wait and see. Source Links:
Back on 2005, the first Blizzcon only revealed Outland and the new race: Blood Elves along with their homeland Quel’Thalas as their level 1-20 starting location. The second new race was kept secret and not shown at Blizzcon 2005. The Draenei and their starting location: Azuremyst and Bloodmyst Isles were revealed around May 2006 by an Italian magazine which leaked the Draenei as the new race.
Will Blizzard surprise fans with the announcement of South Seas as part of the Wrath of the Lich King expansion? We will have to wait and see.
For those of you who were unable to attend the conference, here are most of this year’s panels. Videos are cut in 10 minutes increments for youtube in order to keep them high quality. Blizzcon was a very cool event and I want to thank the developers for taking the time to answer questions. NOTE: Please keep bumping this for people who may have missed those 250.000 views so far Opening Ceremony – Day 1 – Friday August 3rd 2007 Mike Morhaime’s speech and introduction to The Wrath of the Lich Kind by Frank Pierce Northrend Developer Panel – Day 1 – Friday August 3rd 2007 Note: Higher Quality is being added this afternoon Jeff Kaplan – Tom Chilton – Lee Sparks – Cory Stockton This video is being redone in higher quality and without cutting the last question…sorry about that. WoW Class Discussion Panel – Day 1 – Friday August 3rd 2007 Tom chilton – Rob Pardo – Cory Stockton – Kevin Jrdan Dungeons and Raids – Day 1 – Friday August 3rd 2007 Jeff Kaplan – Lee Sparks – Scott Mercer and Jeff Goodman WoW Professions & Items 7 – later tonight PVP Developers Panel – Day 2 – Saturday August 4th 2007 Tom Chilton & Jeff Kaplan. Panel moderated by Drysc and Nethera. http://www.wcradio.com side panels videos Legendary Pictures Panel – Day 2 – Saturday 4th 2007 WoW Lore & Quests Panel – Day 2 – Saturday 4th 2007 Careers in Gaming Panel – Day 1 – Friday August 3rd 2007 WoW UI and Mods panel – Day 1 – Friday August 3rd 2007 IGN Video Interview from the press room Lament of the Highborne – Blizzcon Performance
For those of you who were unable to attend the conference, here are most of this year’s panels. Videos are cut in 10 minutes increments for youtube in order to keep them high quality. Blizzcon was a very cool event and I want to thank the developers for taking the time to answer questions.
NOTE: Please keep bumping this for people who may have missed those
250.000 views so far
Opening Ceremony – Day 1 – Friday August 3rd 2007
Mike Morhaime’s speech and introduction to The Wrath of the Lich Kind by Frank Pierce
Northrend Developer Panel – Day 1 – Friday August 3rd 2007
Note: Higher Quality is being added this afternoon
Jeff Kaplan – Tom Chilton – Lee Sparks – Cory Stockton
This video is being redone in higher quality and without cutting the last question…sorry about that.
WoW Class Discussion Panel – Day 1 – Friday August 3rd 2007
Tom chilton – Rob Pardo – Cory Stockton – Kevin Jrdan
Dungeons and Raids – Day 1 – Friday August 3rd 2007
Jeff Kaplan – Lee Sparks – Scott Mercer and Jeff Goodman
WoW Professions & Items
7 – later tonight
PVP Developers Panel – Day 2 – Saturday August 4th 2007
Tom Chilton & Jeff Kaplan. Panel moderated by Drysc and Nethera.
http://www.wcradio.com side panels videos
Legendary Pictures Panel – Day 2 – Saturday 4th 2007
WoW Lore & Quests Panel – Day 2 – Saturday 4th 2007
Careers in Gaming Panel – Day 1 – Friday August 3rd 2007
WoW UI and Mods panel – Day 1 – Friday August 3rd 2007
IGN Video Interview from the press room
Lament of the Highborne – Blizzcon Performance
BlizzCon 2007: World of Warcraft: Wrath of the Lich King Video Interview. Producer J. Allen Brack fields questions about your favorite MMO.
BlizzCon 2007: Executive Panel Summary
PC: BlizzCon 2007: StarCraft II Video Interview
BlizzCon 2007: World of StarCraft Not in Development
BlizzCon 2007: Wrath of the Lich King Hands-on
BlizzCon 2007: World of Warcraft PvP
Blizzard listens to the cries of its fans for the future of PvP.
BlizzCon 2007: World of Warcraft Classes
Blizzard discusses the process of creating a new class in World of Warcraft
BlizzCon 2007: WoW Professions and Items
BlizzCon 2007: Paul Sams Video Interview
He talks about Diablo.
BlizzCon 2007: StarCraft II Demo Video
BLIZZCON – DAY ONE
“I’m very proud of this book. I’m especially proud of what it represents. Sometimes, amidst the general insanity of the video game business, you just have to latch on to a good idea and follow it wherever it leads.
The game StarCraft: Ghost, on hiatus as of the time of this writing, has been in development for almost as long as the PS2 and other console platforms have been on store shelves. Designing and building this game was a pretty crazy process. While there were many reasons for the game’s development taking as long as it did, one key design element always stood out and gave us inspiration to keep pushing onward: Ghosts are very, very cool.
These nearly superhuman agents who stalk unseen across raging battlefields were a major component of the StarCraft mythos. Not only were these units fun to play with, but they seemed to have a certain mystique that made them stand out amidst all the other (bigger and more colorful) units in the game—I personally think it was the stunning voice-work. While we knew that a Ghost would make the perfect focal point for a console game, we were faced with a lot of options about how to bring our new Ghost character to life.
A lot of folks thought it would have been cool to see Sarah Kerrigan, arguably StarCraft‘s most famous Ghost, and have the game focus on her origins. While that could have been a killer direction (pardon the pun), we decided to create a new character whose origins—and more importantly, whose destiny—wasn’t yet set in stone.
Thus, young Nova was born. Her personality and visual design were the result of a lot of hard work by a talented group of people. The spunky, lethal Nova was one of the first characters we had ever created that would take center stage in her own game and really anchor StarCraft: Ghost as a new part of the StarCraft setting. Needless to say, we were immensely proud of how she turned out.
I’m very pleased that we’re finally able to tell her story and show the world just who this enigmatic young character is—and what events molded her into one of the most dangerous assassins in the universe.
Of course, this take would not have been possible without the amazing talents of Keith R.A. DeCandido. Keith seemed to have a deep affinity for this character, and he not only brought out all the dark, disturbing nuances of Nova’s past—but provided a fresh new look at the gritty underbelly of the StarCraft setting as well. I can’t imagine this story in anyone elses’ hands.
So, while we might not be seeing StarCraft: Ghost as a video game anytime soon, we will definitely be following Nova’s continued adventures through novels just like this one.
Enjoy! I hope y’all dig it!”
- Read our interview with Keith R.A. DeCandido about Starcraft Ghost: Nova
- Buy and read Starcraft Ghost: Nova
Nova Terra – Her full name is November Annabella Terra. Daughter of Constantino Terra and Annabella Terra. Her parents noticed her psionic abilities at age 7. Constantino kept it secret so the Confederacy military wouldn’t take her to the Ghost program. Being from the Old Families, Constantino could decide not to tell anyone nor to send her off for training where Terra would be used against the sons of Korhal. In a way to protect his youngest daughter. Nova’s designation as a Ghost is X41822N.
Cliff Nadaner – Murderer of Nova’s family. Nadaner was once a Marine. And he had been once at Antiga Prime. Like Arcturus Mengsk, Nadaner was an agitator back in the final days of the Confederacy. Nadaner was against the Old Families, the Council and the Confederates, and against the Sons of Korhal. Later against the Dominion. Nadaner did not achieve much political change. He caused trouble and murdered many. Nadaner did not kill Nova’s family himself. He contracted Gustavo McBain to do the job.
Gustavo McBain – He was a welder, working a construction contract in Mar Sara when the Confederates ordered the destruction of Korhal IV. The Confederates killed his entire family, his pregnant wife Daniella and his young daughter Natasha. McBain swore to take down the Confederacy, and shortly after joined Cliff Nadaner’s rebels. Nova learned all this info by reading McBain’s mind. Nova killed McBain at her 18th birthday. McBain had killed her family, three years ago … three days after her 15th birthday.
Planet Tyrador VIII has 10 continents. Nova’s space-pod landed upon the smallest of its continents. The small continent was a humid jungle.
Planet Tyrador has 9 planets in its orbit. Tyrador VIII is one of those smaller planets orbiting around Tyrador. Tyrador VIII orbits around Tyrador IX, like a moon would a planet.
Director Kevin Bick -Nova’s instructor and Director of the Ghost Program Academy once Dominion was established after the Confederates’ defeat. Dominion took over the Ghost Program and many ex-Confederates joined the Dominion Director. Bick replaced Director Ilsa Killiany.
Constantino Terra – Father of Nova Terra. The Terra were one of the Old Families, descended from the commanders of the supercarrier ships that transported them from Earth. Constantino discovered his daughter was a telepath when she turned 15. In her birthday, she knew her family was coming to celebrate her birthday. Usually, families would turn their sons to the military upon discovering their telepathic abilities, but the Old Families didn’t do so unless they wished to. Constantino was owner of the biggest Robotics company in Confederate territory: Servo Servants. The company lived mostly off repairs and spare parts for the robotics. Though, everyone would think his business revenue was simply from selling robotics. Constantino’s industry had captured Zerg in the Sara System and experimented with the Zerg a year before Chau Sara was destroyed.
Constantino was the only member of the Old Families who requested the Tarsonis Council to revert the decision to bomb Korhal IV. The Old Families sided with the Council and the military on the decision. Constantino thought it too radical a solution. Constantino blamed the Confederate Council for the rebel attacks … Korhal IV had backfired. It rose propaganda against the Confederacy, and the uprising of different rebellious groups and terrorists.
Annabella Terra – Nova’s mother. Annabella and Constantino were owners of separate fortunes inherited from their Old Families. Both married to unite both fortunes. However, their offspring was born by implanting his seed into Annabella using technology. Both of them had their own lovers among the servants. Eleftheria was Constantino’s lover (mistress), and Edward Peters was Annabella’s lover (jig).
Mara Greskin – Universal News Network (UNN) Reporter assigned to cover news of the fifteenth birthday of Nova Terra, where the elite members of Old Families from Tarsonis and offworld came to celebrate her party.
Handy Anderson – UNN Editor-in-Chief
Clara Terra – Nova’s older sister and girlfriend of Milo Kusinis.
Milo Kusinis – Clara Terra’s boyfriend. The Kursinis are one of the wealthiest among the Old Families. The Kursini Skycrapper is the highest one in Tarsonis, even higher than the Terra Skyscrapper. Milo married Clara Terra months after the penthouse massacre where the Terra family was murdered. Uniting both families’ fortunes.
Rebeka – Nova’s hairdresser
Old Garth Duke – Brother of General Duke, one of Tarsonis’ elite Old Families members invited to Nova Terra’s fifteenth birthday party.
Boris – One of Constantino Nova’s servants.
Zebediah Terra – Nova’s oldest brother.
Lia Emmanuel – Constantino’s employee. She is vice president of all vice presidents of all Terra’s businesses and ventures. Constantino’s right hand. She interrupted the birthday party to inform Constantino that rebels had destroyed the Palombo Valley plant—where hovercars and hoverbikes were in production. Arcturus Mengsk had broadcasted on TV at the same time of the plant’s destruction propaganda against the Old Families and the desintegration of economies and labor exploitation. This plant was a key component to destroy Constantino’s monopoly. Lia explained they had two choices: To rebuild the plant to get back on business, or to pay the families of the deceased in the plant attack. By choosing the latter, Terra’s business would crumble. And by rebuilding, Mengsk would gain a point for his anti-Old Families propaganda as Terra would be accussed of not caring for the families of the workers.
Lia also informed Constantino things were worse. The Protoss wiped Chau Sara and Mar Sara.
Planet Halcyon – Source of Grape crops and Framberries. On ‘07 the grape crops were aweful. So that year’s wine was as aweful—according to Constantine Terra. His wife Annabelle, however liked that year’s wine. Constantine said she had bad taste of wine quality. Planet Halcyon is also where the hab drug is prepared and distributed by crime organizations. According to Fagin, the Gutter district gets their Hab supplies from Halcyon.
Andrea Tygore – The oldest of the Tygore family, member of the Old Families. She is 150 years old, and moves around on a hover-chair. She knew about the plant destruction and arrived to Nova’s 15th Birthday to ask Constantino if he knew of it. Nova and Zebediah found out of what happened through Andrea. Andrea had been one of the Old Families who sided the Confederacy and the military to bombard Korhal IV. Now despises rebels, specially Mengsk. The old woman thinks servants are lesser, and shouldn’t be given preference or mercy.
Morgan Calabas – Eldest son of Arturro Calabas. A young man attracted to Nova. She knew he didn’t love her. Not much for telepathy, than for his eyes never leaving her chest. This was the first time Nova was able to read minds, subconciously and involuntary. Nova had been empathic since age 7 to this day at age 15th. For first time she could listen to someone’s mind … Morgan said in his mind he would be under her skirt in no time after escorting her to a ball event.
Arturro Calabas – Father of Morgan Calabas. Although his son Morgan thinks he will be able to take Nova to a ball event, Arturro had told Charlie Quinn he would send Morgan off to planet Tyrador IX for reeducation.
Charlie Quinn – The kind of guy that finds out the latest gossip, but usually ends up getting things wrong and messing people’s reputation.
Bryan – the daytime lobby guard at Terra Skyscrapper. Household of the Terra Family. He was killed when the rebels attacked the Terra Family.
Malcolm Kelerchian – The finest investigator in Tarsonis Police Force’s Detective Squad. He investigated a murder of two children of a semiprominent shop owner. After a careful investigation using technological means he discovered the murderer to be Emmett Tygore. Rather than prosecuted by Confederate laws, Emmett was sent to a rehab facility in Halcyon. Never heard of again. The UNN reporters never digged further and focused on other news. But Mal’s hawkeye-mind never kept from thinking about this murderer. Though, not able to do anything as his superiors won’t let him near Halcyon to stay updated on Emmett’s whereabouts.
The military of Tarsonis would usually find a detective such as Mal to be a waste for local police. The normal populace’s Psi Index was 2.0 whereas Psi-talented ghosts were Psi-Index (PI) 5. Tarsonis Military saw in Mal’s files a PI 3.5—making him sensitive to telepathy, although not a telepath himself. Mal was transfered to the Military to be trained as a Wrangler—a telepath hunter—to bring in telepaths to the Ghost program.
After months of training, Mal was prepared. However, a side-effect of his ability was to get a headache whenever he was near a telepath. The day Nova found her family dead, she unleashed a massive psionic and telekinetic outburst that killed the murderers of her family and destroyed the penthouse. Even at his office, Mal got his brain spiked by the power emited by Nova far away. Nova—he thought—would be a PI 8 or higher. Telekinetics are catalogued PS 8 or higher. Only one on that scale he met during his six-months training. Locked at a government facility.
Malcolm started his investigation of the crime scene at Nova’s penthouse. He thought to himself this was a telekinetic far above PI8. The dome was anti-nuclear strike. Yet it was shattered from within.
Detective Jack Pembleton – arrived to the scene ready to take over the Terra Skycrapper Penthouse massacre investigation. Agent Malcolm showed his holographic badge showing this was now Confederate Military jurisdiction. Jack told Mal there had been seven attacks to the Old Families.
Director Ilsa Killiany is the Ghost Program director who identified Detective Malcolm as a PI 3.5—getting him to be transfered to the Wranglers training facility. Mal hates her guts for that, but mainly for being an ass.
Fiorello – A Wrangler who replaced Malcolm when reporting to Director Ilsa the murderer was Nova. Ilsa couldn’t believe a telepath this powerful hadn’t been detected before. Fiorello was to take over the case so Mal won’t be in danger. He was too good to be lost.
Fagin – His true name is Julius Antoine Dale. He is the Crimelord of the Gutter District. He oversees all operations from sex, drugs, black market, weapons, etc. He has a contact inside the Confederate Army who provides top technology in exchange for Hab (drug) for his wife. Fagin is the version of Goodfellas film’ type of crimelord. He kills for no reason. Fagin captured Nova and made her a personal telepath assassin by using a Confederate device given to him by his militar contact. The device blocks Nova from reading his mind and sends a neural shock into Nova’s brain to keep her in check as a docile slave.
A brief round up of the first 100 pages … Nova ended her studies, and she was assigned this mission by Intelligence Section. A mission that would set her in the middle of a jungle at Tyrador VIII as her last step to officially become a Ghost. Her suit during the mission wasn’t an advanced one. It lacked stealth-mode gear. The internal circuitry of her suit modulates her internal temperature to compensate for the extreme humid and hot ambience near the equator of Tyrador VIII, amidst this jungle. – page 3.
Tarsonis has 27-hours a day cycle.
Emperor Mengsk ordered Intelligence Section to send Nova to seek and destroy the remnants of Nadaner’s rebels. The drop-pod was programmed to disintegrate. This to prevent Dominion tech from falling in wrong hands. Nova’s suit contained the same auto-destructive technology to leave no trace of her if the suit did not trace her lifesigns.
The day Nova found Nadaner in the jungles of Tyrador VIII, it was her birthday. 18 age. She remembered three years ago, at the age of 15, her father had told her she would be in this star system by now.
Nova was the youngest of the Terra Family, the elite, owners of a robotic industry in Tarsonis which supplied the Confederates with technology. A Rebel leader, Cliff Nadaner, destroyed the most important robotic plant killing the whole night shift personnel. This made Constantino pretty scared that his family would be targeted by terrorists.
Shortly after, The Old Families society were worried about the destruction of Chau Sara and Mar Sara by the Protoss. Fearing they would attack Tarsonis, they sent their youngest to a resort on Tyrador IX. Constantino was planning to send Nova to Tyrador IX to protect her in case the aliens destroyed Tarsonis. Though, Constantine was still unsure of sending her to Tyrador IX, days later, the Sons of Korhal attack on Antiga Prime settled the decision. He had to protect Nova by sending her offworld. Nova cried the day of her 15th birthday when reading his father’s mind. Three days after her 15th birthday party, Nova aboarded the puddle-jumper at the Giddings Station on Tarsonis taking them to orbit aboard the Osborne Port. There Nova and the thirty young passengers would aboard the Calabase’s yatch- the Padraig—to Tyrador IX.
Constantine thought that if Mengsk was able to infiltrate or bribe someone from within his Palombo Plant to destroy it, Mengsk could also infiltrate someone into his own household putting the life of his family, specially Nova’s in jeopardy.
Nova sensed his family in danger, and before the Padraig prepared its engines to fly off the orbital station, she forcefully requested the flight steward to let her off the ship. Nova had to find out what was happening to her family, leaving on a cab back to Tarsonis.
Nova found Bryan the lobby guard dead, and took the elevator to the penthouse. There she saw Constantine, Eleftheria and Annabelle dead on the floor. His mother’s jig, Edward, betrayed them. Gustavo McBain held a gun at Zeb, Nova’s brother, and shot him. This caused Nova’s presence to be sensed in the room as the sight of her brother’s murder caused her to scream. Edward pointed a gun at Nova shortly to kill her.
The entire Penthouse blew up … the dome, able to withhold a nuclear explosion was shattered …. over 300 people died, including some servants, the murderers of her family and bystanders.
Detective Malcolm Kelerchian was removed from the Tarsonis Police Force to be recruited into the Ghost Program as a Wrangler – a telepath hunter. He was sent to investigate the Penthouse massacre scene inch by inch using his detective skills. His veredict … the mass murderer is Nova.
Blizzard Entertainment and Pocket Star Books – a division of Simon & Schuster, inc., A Viacom Company – bring you Starcraft: The Dark Templar, a trilogy novel series written by Award-winning Christie Golden. She has a track record of over a million books in print sold, fascinating sci-fi and fantasy readers. Among her outstanding twenty-five novels and several short stories in the fields of science fiction, fantasy and horror are Steven Spielberg’s novelization of Invasion America, TSR Ravenloft line (1991) with her first novel, the highly successful Vampire of the Mists; Star Trek novels: “The Murdered Sun”, “Marooned”, “Seven of Nine”, and “The Dark Matters Trilogy,” “Cloak and Dagger”, “Ghost Dance”, “Shadow of Heaven” and “VOYAGER: HOMECOMING” among others.
In the Blizzard Entertainment universes, Christie Golden has given us Warcraft: Lord of the Clans, and World of Warcraft: Rise of the Horde … novels that have influenced canon content in the MMORPG.
The questions of this interview have mostly been provided by fans of the Starcraft Community. Find out more about Starcraft: The Dark Templar trilogy—which immerses fans into the Protoss history, showing us a glimpse of what to expect in the Starcraft 2 storyline.
Will we see protoss characters we have been previously introduced to, such as Raszagal, Zeratul, Adun, Tassadar and Artanis? Will there be terrans such as Raynor, General Edmund Duke, Arcturus Mengsk, Dan Liberty or other characters from previous novels or from the game? What role will they play?
Christie: Yes, you will see all kinds of familiar faces throughout the series. Since this is set after Brood War, though, no Duke I’m afraid. Don’t want to give too much away, but this is a very big and important series and many of the main players in the game will make appearances. Some of them have very significant roles indeed! It’s been very exciting to be able to use well-established characters in addition to creating my own. I hope the readers enjoy it!
What timeframe is the Starcraft: The Dark Templar novel trilogy based on?
Christie: Post Brood War, about four years on. Many things have changed …and some things remain the same.
Will the novel trilogy fathom into when, where, and why the templars broke away from the other protoss, becoming the dark templar and Adun’s involvement? How much of the protoss history and culture will be covered?
Christie: You’re going to get to see a lot of protoss history revealed in this series and you’ll meet some major historical figures. Some of the most important moments in their development will be portrayed. Again, I don’t want to give too much away, but you’ll learn some things that will, I hope, be exciting and fresh. It was very fun for me to be able to address these moments in history and be the author who got to bring them to life. I find the protoss fascinating and I’ve really enjoyed getting to go in depth with them, their culture, and their history.
Will we read about the Xel’naga, hybrid experiments, abandoned temples and such?
Christie: The Dark Templar Trilogy is going to touch on many, many things that have been mentioned, hinted at, or left unexplored. While on the one hand it is a very intimate story, focusing on three primary characters, it’s also rather universal in scale as well. Big things are happening in the StarCraft world, and this series will reflect it. There is indeed a temple, with something unique inside it that our main character will discover.
What locations and planets will the story take place in throughout the trilogy?
Christie: Hmm … well, there are few backwater planets that many events occur on. But we’ll also travel to places that have great meaning to the protoss, like Aiur and Shakuras. As I haven’t yet started Book 3 … who knows where else we’ll go?
How much will Firstborn vary from the plot of the game and the manual?
Christie: Since it’s not a direct novelization of any segment of the game, hopefully it won’t vary at all! I want to keep the flavor of the game—dark and gritty and rough around the edges — and augment it at the same time. My hope is that this will be a great addition to the game.
What is the basic plot of the trilogy? Who is Jake Ramsey, what Terran faction he works for, and what is his role?
Christie: Ah, my poor Jacob Jefferson Ramsey. He’s no superhero, just a rather ordinary guy with a few extraordinary traits who’s gotten caught up in the whirlwind of a desperate moment in the galaxy’s history. Jake is an archeologist, a very good one…known for some rather outrageous theories and for having a mind that has a knack for puzzle-solving. He’s been given the task of getting inside one of the Xel’naga temples by a benefactor known as Mr. V. Eventually, of course, he figures it out … but what he finds there is completely unexpected and changes his life—and those of everyone he touches—irrevocably. He’s our main point-of-view character, a sort of Everyman who is much more special and unique than he first appears. He’s a wonderful character to explore this storyline with.
Where is this Xel’naga temple located at? Is it the same temple from StarCraft: Shadow of the Xel’Naga book?
Christie: No. It seems as though new temples are, more and more, coming to light….
Did you play Starcraft and its expansion: Broodwar to research info about the dark templars for the creation of this trilogy?
Christie: My husband played it through while we were abroad for six months. I watched over his shoulder and got a pretty good understanding of it, as well as the chance to see all the cut scenes. I understand why StarCraft fans are so die-hard in their admiration of the game.
Did Chris Metzen give you an outline of how the trilogy should start and end, and most of its plot? How much freedom do you have when writing Starcraft: The Dark Templar? Have you been given specific guidelines in terms of story elements and/or characters and then your job is to flesh things out, or can you come up with pretty much anything you want and hope that Blizzard thinks it’s a good idea and goes with it?
Christie: When I wrote Lord of the Clans, I definitely worked from a very well fleshed out outline. For Rise of the Horde of course, it covered a part of history that was already pretty well established. With this series there were a few things that Chris really wanted to see addressed, and we did a lot of back and forth about where we wanted to take the story. I also consulted with Andy Chambers and Evelyn Fredericksen, who have ended up being my chief points of contact. All are wonderful and creative people who are very excited about the game and the trilogy.
Since it is a trilogy, it is obvious you have a lot of time to get back and forth with Chris Metzen over the phone and email. How often do you both discuss details of the book? Does he check each chapter as they are written?
Christie: Chris, Andy and Evelyn are very “hands on” and accessible when I have questions, which is rare and wonderful in the world of tie-in fiction. Most of what we need to do is handled by email. Because of a time crunch for Book Two, “Shadow Hunters,” they did start perusing the manuscript before it was finished, but they certainly don’t look at it chapter by chapter.
Is the trilogy canon enough to impact, influence or carry-on into future StarCraft projects such as your Rise of the Horde did in World of Warcraft: Burning Crusade?
Christie: A good question. Rise of the Horde was truly a unique and wonderful experience. I was inspired by the story and the anticipation of the expansion, and Chris and the designers in turn were excited by some of the things I was developing. It was such a thrill to be invited to play-test and actually see some of the thing I had created come to life in the game. I’m currently grinding warbeads for a talbuk—hey, I gotta ride the thing I created, don’t I? Considering the nature of some of the events that are portrayed, I can safely say that yes, Starcraft: The Dark Templar series is going to be considered canon.
How much of StarCraft Ghost: Nova plot will affect the trilogy?
Christie: To the best of my knowledge, the plot of StarCraft Ghost: Nova has been pretty completely novelized by Keith R.A. DeCandido. Some of the information about how things work in the government, though, particularly the structure of the ghost program, have found their way into the series.
I know writers are given freedom to an extent to write material of their own, specially in a trilogy. Lot of ground to fill in. Since you have played World of Warcraft and interact with the roleplaying community, I got to ask. Have you had contact with the starcraft community for feedback, read fanfic at starcraft.org, or heard community petitions that might be useful in your book to satisfy what fans want to read?
Christie: Actually, I did not, other than to understand that people were very hungry for more protoss. Other stories are being developed to tackle specific things Blizzard knows the readers want. This is more of an epic storyline that encompasses much of what it is to be protoss…oh, and a leeetle secret of galactic proportions.
Do you listen to the voice-acting in the game to learn the personality of the characters?
Christie: It’s nice to be able to do so! Yes, I did. Blizzard always does a great job with the voices.
The book description says Jake Ramsey finds the remains of a dark templar and its spirit merges with Jake. This brings up an interesting thought. Tassadar learned to wield dark templar energies. Do you think Tassadar’s spirit could be lingering on somewhere?
Christie: As you say, that is an interesting thought. Actually the being Jake finds is known as a preserver, a protoss who has all the memories of all protoss who have ever lived. And as I said…you’re going to learn some things about key moments in protoss history. To say more might spoil things.
Will you write new Starcraft, Diablo or World of Warcraft novels after Starcraft: The Dark Templar? We hope you do =)
Christie: Why thank you! I hope so too. As many of you already know I am an avid fan of World of Warcraft, and I have thoroughly enjoyed writing both the books set in that game. I’d be thrilled to do more.
If Blizzard gave you the freedom to let you choose a timeframe or event set in the protoss or terran history for a new book or trilogy, which would it be and why?
Christie: Wow, excellent question…I think I’d love to get really in depth with more of protoss history. In this series, it’s a subplot, though a major one. Doing it that way seemed to whet my appetite for exploring their past more thoroughly. They’re a fascinating people.
Thank you, Christie for answering the community-submited questions. And thanks to Chris Metzen and the folks over at Blizzard Entertainment. The local bookstore confirmed the first novel in the trilogy is on stock. Go grab your copy or order online Here.
Now that the Q&A is out, and you know what the novel trilogy is about, feel free to submit further questions. Christie is open and excited to discuss more details of the trilogy with the Starcraft Community. Visit the official Starcraft 2 website for features, screenshots, gameplay video and teaser trailer.
Post a Comment at our Starcraft 2 Forums.
Archeologist Jacob Ramsey has spent the last two years on a fruitless excavation. It seems like a miracle when he gets an invitation to join an elite group of archeologists in the excavation of one of the Xel’Naga artifacts that are suddenly appearing on various worlds. When Jake stumbles across a dying Protoss and attempts to revive him, the alien psychically and violently begins to “upload” its memories, essentially rewriting and rewiring Jake’s human brain. Jake soon learns a terrible secret—one so important that the dying alien was willing to pass it on to an enemy in order to ensure that the knowledge survives. And what Jakes decides to do with the information will seal the fate of worlds throughout the galaxy.
The marketing info provided by the catalog says the novel will be showcased at BlizzCon 2007. Hopefully that means Christie Golden will be at the Pocket Books booth, book signing.
“Jake Ramsey—an unassuming, yet talented archaeologist—has been given the chance of a lifetime. Hired to investigate a recently unearthed Xel’Naga temple, he knows this latest assignment will open up whole new possibilities for his career. Yet, when Jake discovers the remains of a long-dead protoss mystic, his hopes and dreams are irrevocably drowned in a flood of alien memories. Bonded to the spirit of the dead protoss, Jake has become the sole inheritor of the protoss’s total history—every event, every thought—every feeling.
Struggling to maintain his own fragile identity amidst the raging psychic storm in his mind, Jake soon realizes that he has stumbled upon a secret so cataclysmic in magnitude—that it will shake the very foundations of the universe.”
An original tale of space warfare based on the bestselling computer game series from Blizzard Entertainment.
Contributors: Kimera757, Artanis, Livewyr7 @ USEast, arschneider, iMAniaC, cassius987@Uswest, Medievaldragon and Darktemplar.
Starcraft: Dark Templar, book one: Firstborn
The topic of this new Q&A is the upcoming novelization of Warcraft 2: Tides of Darkness RTS Game. Blizzard Entertainment and Simon & Schuster Pocket Star Books present us WORLD OF WARCRAFT: TIDES OF DARKNESS written by Aaron Rosenberg, author of STARCRAFT: QUEEN OF BLADES. The novel will be at local and online libraries on August 28, 2007. Get your copy! Medievaldragon: The first question about your new novel is, What characters can we expect to see in this new book? AaronR: There may be a few too many to list quickly. Well, it centers on Lothar and Khadgar over on the Alliance side, and Orgrimm and Gul’dan on the Horde side. Turalyon plays a major part as well, of course. Medievaldragon: What timeframes in the Warcraft timeline are covered in World of Warcraft: Tides of Darkness? AaronR: The book follows the events of the war, from the time the Stormwind refugees reach Lordaeron to the end of the conflict. I won’t give away who wins, in case anyone doesn’t know. Medievaldragon: What did Simon & Schuster (Pocket Books) and Chris Metzen tell you when they brought to you this new project? AaronR: Chris and I had talked about doing a WarCraft book before, when I was finishing up StarCraft: Queen of Blades. He was really excited about the prospect of covering WarCraft 2’s events, and so was I. So that’s what we agreed to work on next. Medievaldragon: This questions is from Xaran Alamas: How much the Tides of Darkness book will vary from the plot of the game and also from what we already know of the period? This is a main concern by many fans. We have seen some lore retcons in the past. AaronR: I try to stay very close to the details from the games. And Blizzard checks over everything to make sure. There were a few minor retcons, but those came directly from Blizzard, so they are official. The Horde rescued Zul’jin from Hillsbrad, which gave the Horde a new ally: Amani Forest Trolls. Will the illustrous troll Zul’jin appear in your book? AaronR: Zul’jin and the Amani trolls do indeed appear, and you get to see them joining the Horde.
Do we get to see Deathwing and Zuluhed through the early stages of the Demon Soul affair? AaronR: There are scenes of the Dragonmaw clan learning to control the Demon Soul, and through it the dragons. Deathwing, however, doesn’t appear.
Is the book mostly narrated from the point of view of the Alliance, or do we shift back and forth from Alliance to Horde perspectives? Third person view? I think many fans liked that in your recent Starcraft: Queen of Blades, which is a novelization of Starcraft 1 map by map. – by Axscrum AaronR: I shift back and forth between the two—through most of the book I alternate chapters, one Alliance and one Horde, though in a few places I break that rule. I wanted to make sure readers got an idea of what both sides were planning and what leaders on both sides were thinking.
I really have to ask because fans want to know. Did you play Warcraft 2: Tides of Darkness in order to write a novelization of that game? Or did you only read through the warcraft documentation provided by Blizzard? AaronR: I did play as much as I could, given my own time constraints (my kids, mainly). I always try to immerse myself as much as possible. And right now I’ve got Burning Crusade at home, which I’m itching to try out!
What role will Stromgarde play in the upcoming book… will it go into detail on the events that occured there? – by Kestenvarn AaronR: We do see Stromgarde, though briefly. We see Alterac a good deal, however.
You have been co-writer of some White Wolf Publishing licensed World of Warcraft RPG books, specially some Northrend lore in Warcraft RPG: Lands of Mystery. I suppose you gathered some references from the RPG Books to write this new novel. Which RPG Books and pocketbooks did you read to use as reference? AaronR: Well, I read three novels: The Last Guardian, Rise of the Horde, and Day of the Dragon. I also read back through the RPG corebook and both Lands of Conflict and Lands of Mystery.
Should we expect at least a World of Warcraft: Beyond the Dark Portal as continuation to the novelization of Tides of Darkness? AaronR: Unfortunately I can’t say. If there is one, though, I hope I get to write it! (Update: Months after this interview it was revealed Aaron Rosenberg is writing World of Warcraft: Beyond the Dark Portal slated for June 24, 2008)
Does your new novel have anything to do with new content coming down the pipe for the MMORPG? The latest books are tie-ins with the MMORPG and Burning Crusade. AaronR: Ah, I’m afraid I can’t comment on that.
Will relationships such as Alleria and her sister Sylvanas be featured? Or the relationship between Turalyon and Alleria?—(They have a son named Arator in the Burning Crusade expansion).—by Alex AaronR: We do see quite a bit of Alleria, and the start of her relationship with Turalyon. We also briefly see her with both of her sisters.
Will your book go into detail on the events that happened at Tol Barad? It seems Blizzard retconned what happened there a bit, but what exactly happened has never really been made clear. – by Warlock AaronR: Unfortunately, no—I didn’t get to go into Tol Barad much, since I was trying to fit everything into a single book.
Anything involving Commander Mograine and the Ashbringer? In Caverns of Time, Mograine reveals to Tirion Fordring, Isillien, Fairbanks and Abbendis that he found a peculiar crystal in Blackrock Spire during the Second War.—by Capoeira AaronR: No, that one was outside my purview.
Will the Alliance have a heroic presence in the novel or will it be portrayed as shades of grey?—by Kenzuki AaronR: The Alliance definitely has a heroic presence, but so does Orgrimm Doomhammer. I wanted to show throughout the novel that almost everyone involved (with a few notable exceptions) believed they were doing the right thing. Very few people ever consider themselves bad or villainous. Submit further questions to Aaron Rosenberg at
The topic of this new Q&A is the upcoming novelization of Warcraft 2: Tides of Darkness RTS Game. Blizzard Entertainment and Simon & Schuster Pocket Star Books present us WORLD OF WARCRAFT: TIDES OF DARKNESS written by Aaron Rosenberg, author of STARCRAFT: QUEEN OF BLADES. The novel will be at local and online libraries on August 28, 2007. Get your copy!
Medievaldragon: The first question about your new novel is, What characters can we expect to see in this new book?
AaronR: There may be a few too many to list quickly. Well, it centers on Lothar and Khadgar over on the Alliance side, and Orgrimm and Gul’dan on the Horde side. Turalyon plays a major part as well, of course.
Medievaldragon: What timeframes in the Warcraft timeline are covered in World of Warcraft: Tides of Darkness?
AaronR: The book follows the events of the war, from the time the Stormwind refugees reach Lordaeron to the end of the conflict. I won’t give away who wins, in case anyone doesn’t know.
Medievaldragon: What did Simon & Schuster (Pocket Books) and Chris Metzen tell you when they brought to you this new project?
AaronR: Chris and I had talked about doing a WarCraft book before, when I was finishing up StarCraft: Queen of Blades. He was really excited about the prospect of covering WarCraft 2’s events, and so was I. So that’s what we agreed to work on next.
Medievaldragon: This questions is from Xaran Alamas: How much the Tides of Darkness book will vary from the plot of the game and also from what we already know of the period? This is a main concern by many fans. We have seen some lore retcons in the past.
AaronR: I try to stay very close to the details from the games. And Blizzard checks over everything to make sure. There were a few minor retcons, but those came directly from Blizzard, so they are official.
The Horde rescued Zul’jin from Hillsbrad, which gave the Horde a new ally: Amani Forest Trolls. Will the illustrous troll Zul’jin appear in your book?
AaronR: Zul’jin and the Amani trolls do indeed appear, and you get to see them joining the Horde.
Do we get to see Deathwing and Zuluhed through the early stages of the Demon Soul affair?
AaronR: There are scenes of the Dragonmaw clan learning to control the Demon Soul, and through it the dragons. Deathwing, however, doesn’t appear.
Is the book mostly narrated from the point of view of the Alliance, or do we shift back and forth from Alliance to Horde perspectives? Third person view? I think many fans liked that in your recent Starcraft: Queen of Blades, which is a novelization of Starcraft 1 map by map. – by Axscrum
AaronR: I shift back and forth between the two—through most of the book I alternate chapters, one Alliance and one Horde, though in a few places I break that rule. I wanted to make sure readers got an idea of what both sides were planning and what leaders on both sides were thinking.
I really have to ask because fans want to know. Did you play Warcraft 2: Tides of Darkness in order to write a novelization of that game? Or did you only read through the warcraft documentation provided by Blizzard?
AaronR: I did play as much as I could, given my own time constraints (my kids, mainly). I always try to immerse myself as much as possible. And right now I’ve got Burning Crusade at home, which I’m itching to try out!
What role will Stromgarde play in the upcoming book… will it go into detail on the events that occured there? – by Kestenvarn
AaronR: We do see Stromgarde, though briefly. We see Alterac a good deal, however.
You have been co-writer of some White Wolf Publishing licensed World of Warcraft RPG books, specially some Northrend lore in Warcraft RPG: Lands of Mystery. I suppose you gathered some references from the RPG Books to write this new novel. Which RPG Books and pocketbooks did you read to use as reference?
AaronR: Well, I read three novels: The Last Guardian, Rise of the Horde, and Day of the Dragon. I also read back through the RPG corebook and both Lands of Conflict and Lands of Mystery.
Should we expect at least a World of Warcraft: Beyond the Dark Portal as continuation to the novelization of Tides of Darkness?
AaronR: Unfortunately I can’t say. If there is one, though, I hope I get to write it! (Update: Months after this interview it was revealed Aaron Rosenberg is writing World of Warcraft: Beyond the Dark Portal slated for June 24, 2008)
Does your new novel have anything to do with new content coming down the pipe for the MMORPG? The latest books are tie-ins with the MMORPG and Burning Crusade.
AaronR: Ah, I’m afraid I can’t comment on that.
Will relationships such as Alleria and her sister Sylvanas be featured? Or the relationship between Turalyon and Alleria?—(They have a son named Arator in the Burning Crusade expansion).—by Alex
AaronR: We do see quite a bit of Alleria, and the start of her relationship with Turalyon. We also briefly see her with both of her sisters.
Will your book go into detail on the events that happened at Tol Barad? It seems Blizzard retconned what happened there a bit, but what exactly happened has never really been made clear. – by Warlock
AaronR: Unfortunately, no—I didn’t get to go into Tol Barad much, since I was trying to fit everything into a single book.
Anything involving Commander Mograine and the Ashbringer? In Caverns of Time, Mograine reveals to Tirion Fordring, Isillien, Fairbanks and Abbendis that he found a peculiar crystal in Blackrock Spire during the Second War.—by Capoeira
AaronR: No, that one was outside my purview.
Will the Alliance have a heroic presence in the novel or will it be portrayed as shades of grey?—by Kenzuki
AaronR: The Alliance definitely has a heroic presence, but so does Orgrimm Doomhammer. I wanted to show throughout the novel that almost everyone involved (with a few notable exceptions) believed they were doing the right thing. Very few people ever consider themselves bad or villainous.
Submit further questions to Aaron Rosenberg at
Special Thanks for the international advertising of World of Warcraft: Tides of Darkness at the official Wow-Europe forum (courtesy of our friendly MVP
Thank you, Blizzard for picking the best book writers to expand the Warcraft Universe.
After killing Moroes, if you return next day to continue, the hall room will be despawned and no more respawns happen on the hall. We adventured upstairs and no respawns were found there either. Kinda sweet. Worth the effort. So now you have two Skeleton Usher guards on the path to the Opera Hall. These are immune to shackles and hunter traps. They don’t seem to be tauntable either as they sweep through the players with ease with screwy aggro. Priests should be tossing shields on affected players, mending and renew until the tanks are able to grab them. It is recommended to be at max range, and kite if needed. The guards are pretty unpredictable.
Once dealt with, make sure everyone stays away from the Opera Hall. There is a single Skeleton Usher patrolling around the Opera and passes through the front of the doorway. The next part is the Opera Hall benches. There are around 8 mobs that are easy to AOE by mages. Make sure to keep your mages and warlocks constantly healed as they get most of the damage on AOE aggro. There are about 5-6 pulls of Spectral Patron npcs in the benches area.
There is a Skeleton Usher guard on the left and right corners after you clear the benches area. Both are individual pulls. There is an friendly NPC named Sebastian on the left side, by the Opera organ piano. He says the following:
Sebastian: “Greetings! Behold one of the finest musical instruments in all of Lordaeron. It’s a true honor to perform for the Master and all his guests. Take a seat in the audience. I hear a show is starting soon.”
I am honored with the Violet Eye faction, and didn’t get a quest from Sebastian. Unless he is there just to inform, there is no quests from him. Instead of going around the passegeway on the far right corner, you can just jump down the front of the Opera Hall to the lower level. Everyone should stay in that lower level. Send a hunter with Priest shield and prayer mending on to pull. The hunter will go through the door in the lower level, and will go up the ramp to the Opera Stage’s basement. There are at least three packs of mobs. Some are Spectral Performers or Spectral Stagehand. The Stagehand hit harder and none of both types are shackable. All healers should be on healing duty with the Tank, and anyone who gets aggroed.
Once cleared, you can enter the basement of the Opera Stage. On the back of the room there is a door. Send a rogue stealthed or a hunter to take a look. There should be a patrol walking back and forth through the stairs. Get rid of him. You will find Barnes to the far right of the door. He is the Stage Manager.
Make sure no one in the group talks to him out of curiosity. He starts the Opera House event.
Barnes: “Finally, everything is in place. Are you ready for your big stage debut?”
A dialogue bubble represents what you reply: “I’m not an actor.”
By now everyone should be inside the Opera Stage, and the team leader will talk to Barnes to initiate the event. Barnes slowly walks toward the center of the stage – on his black tuxedo – and the spotlight drops on him, to announce the following:
Barnes: “Welcome ladies and gentlemen, to this evening’s presentation! Tonight we plumb the depths of the human soul as we join a lost, lonely girl trying desperately—with the help of her loyal companions—to find her way home! But she is pursued … by a wicked malevolent crone!
Will she survive? Will she prevail? Only time will tell. And now … on with the show!”
Spectral Performer says: “It’s so cold, so dark … I’m not overacting, am I ?
Barnes will leave the stage and … the door is closed behind him. There is no escape for you, and it seems you can’t jump out of the stage either. After 15 seconds, the curtains are lifted up to show four NPCs on stage: Strawman, Dorothee, Roar and Tinhead.
Yes, by now you should have figured out this is an Easter Egg / Pop culture Reference to The Wizard of Oz (Film
Dorothee: “Oh Tito, we simply must find a way home! The old wizard could be our only hope! Strawman, Roar, Tinhead, will you – wait … oh golly, look we have visitors!”
This is the queue to start the fight. She will become targetable. The Main Tank should be next to her when this happens to grab initial aggro. She is the first that need to die … and there is an explanation to that. She is a Frostshock Vixen … she hits random targets with Water Bolt doing around 2083 Frost damage. It would be good for priests to throw Prayer of Mending to the affected party member to conserve mana. Next time they get hit, depending on your spec, they heal for 1700 health.
Off-Tank player should be in front of Roar to grab aggro, then pull him to the right to the side of Tinhead. Start swiping both Roar and Tinhead, until Tinhead becomes targetable and aggroes you. A Warlock should see the off-tank getting both’s aggro as a queue to fear Roar. That way the offtank stays with Tinhead until the mage is ready to kite Tinhead.
The main tank and DPS players should listen to Dorothee summon Tito – a dog. It dies pretty fast, but if uncared for and let loose, he can cause a wipe.
The whole event is decided on how fast and efficient you take down Dorothee since she is who does the most damage in the first minutes. And how efficient the mages and warlocks were fearing Roar, kiting Tinhead and keeping Strawman disoriented. From the moment Barnes starts his spotlight presentation until the Crone died took 9:22 minutes.
Roar: “I’m not afraid a’ you! Do you wanna fight? Huh, do ya’? C’mon! I’ll fight ya’ with both paws behind my back!
Strawman: “Now what should I do with you? I simply can’t make up my mind.”
Tinhead: “I could really use a heart. Say, can I have yours?”
Set your warlocks to fear Roar constantly and to dot Dorothee. I don’t recommend warlocks to do any channeling spells such as shadowbolt. You need casting cooldowns ready for when you need to fear. If Roar is not fear for just 2 seconds, he can one-shot kill one or more players with a swing of his paws. He hit me (Priest) for 3149 physical damage. Besides, Warlocks need to conserve mana to keep Roar feared through the whole event. Roar dies last.
Roar: Go ahead and take forty winks.
When the event begins, the off-tank should be on Tinhead so that he won’t aggro any other players. After that, a frost-specced mage should take care of Tinhead. He moves very slowly while affected by frostbolts. Therefore, the mage should kite him around the room but making sure he paths along the back of the room. Tinhead is very dangerous for the team … he casts a two second silence AOE … which is deadly for main tank. Healers can’t heal him while silenced. On logs, I was able to see Tinhead gaining Rust (rank 6) and (rank 7). Not sure what it means, but I heard the tank complaining about cleaves and raid wipes. So keep Tinhead kited afar from the team.
Tinhead: “Guess, I’m not so rusty after all.”
The third boss to take care of is Strawman. This one will require the entire dedication of a mage and/or Warlock. He becomes disoriented when you hit him with fire spells, and will be out of fight while disoriented.
In the meantime, everyone should be DPSing Dorothee. Shamans must summon mana spring totems and making sure there is one of those totems active through the event. After Dorothee dies, the next target should be Strawman. Main tank has to corner him away from tinhead so that no one gets affected by silence aoe. Next, the tank has to aggro Tinhead to a corner until he dies. Now the Main tank can take Roar the lion-man.
By now, one of the priests should stay on the back of the room not casting at all. Regenerate to full mana. Since that priest is on regeneration-mode, the team is lacking healing on the main tank. Warlocks need to rotate and decide to fear Roar when the tank is 25% health. Any of the healers should take care of healing the tank to full, and anyone able to bandage the tank while Roar is feared should do so when his bandage timer cooldown is over.
Roar has a lot of Hit points. DOT him while he is feared. Sometimes he bugs when he is feared into doors and can’t be attacked until he returns back to the main tank. When Roar is about to die, everyone should move to the back-center of the stage. Once Roar dies, the main tank should already be standing on the back-center. There spawns the wicked Crone.
The Crone: “Woe to each and everyone of you, my pretties! Ha-ha-ha-ha-ha-ha!
She is a female troll who casts lightning bolts. The whole team needs to move along with the tank and the Crone at all times. Don’t get away from her. If anyone gets too far, she is able to cast the lightning bolt. Sometimes she will cast some sort of cyclone that suspends a player high above the stage. She is kinda easy, once everyone has regenerated mana during the fearing on Roar.
Once the Crone dies, the door to the left of the stage opens giving you access to the upper floor. The rewards on the Crone are very tasty to some classes.
The Crone: “Fixed you, didn’t I? … How could you? What a cruel, cruel world …”
At the time of this Opera House run, I had provided both tanks an Elixir of Major Defense (+550 armor) and an Elixir of Major Agility (+35 Agility and +20 critical strike rating for 1 hour). I was wearing 4/5 Hallowed set (Tier 3.5) minus the leggings. 427 spirit unbuffed. With Mark of the Wild, Spirit buff from the second priest, and a consumable food adding +20 spirit I had around 511 spirit. Trinket: Bangle of Endless Blessings: Equip – Spell casts have chance to allow 15% mana regen for 15 sec. Use – Increases spirit by +130 for 20 sec. Second trinket: Scarab of the Infinite Cycle.
Check out the video of this event – onscreen video-recording software courtesy of Gamecam.
World of Warcraft: Rise of the Horde is a novel written by Christie Golden, which serves as an introduction to the origin of the Draenei and a prologue to the World of Warcraft: The Burning Crusade expansion (MMORPG). Christie Golden is a veteran novel writer of Star Trek: Voyager, Ravenloft: Vampire of the Mists, Warcraft: Lord of the Clans, Invasion America, and A.D.999 among other works.
Chris Metzen revealed at BlizzCon 2005 that you would be writing World of Warcraft: Rise of the Horde. The book would feature the story of the revealed new Wow race: the Draenei. However, the book title is Rise of the Horde. What is the plot of World of Warcraft: Rise of the Horde and from whose main character’s point of view is the story told?
Christie: The reason we went with that title is that’s truly what the book is about, the tale of how the original Horde came into existence. And the draenei, as the story shows, were the primary reason. The Horde was created by Kil’jaeden to be used as a weapon against the draenei, who in this book are revealed to be uncorrupted eredar. The basic storyline is that of how the orcs went from being essentially peaceable people in harmony with their world to demonically tainted beings capable of genocide. Our main point of view character is Durotan, Thrall’s father.
This story fascinated me because in recent history, we have seen repeatedly how good people end up doing horrific things to other human beings. How does that happen? What steps have to occur in order for people to forsake their morals?or, rather, rewrite them so completely? Durotan is “Everyman someone who sees what’s going on, but is torn between standing up and fighting it and doing what will protect people he is responsible for. He’s a great point of view character in that respect.
What characters are featured in the book?
Christie: Ha, you name it! This is the fantasy equivalent of writing a historical novel. Durotan as I have said is the point of view character for most of the book. We also see Orgrim, Blackhand (and his kids, whom I loved portraying as teenage thugs), Ner’zhul, Drek’Thar, Gul’dan, and many others who are familiar names.
In the beginning of the book you mention playing on an RP server. I assume you play Horde there? If so, what have you enjoyed playing the most on a role-playing server?
Christie: Very few people know who I am there (as of this writing anyway!) and that gives me a wonderful freedom to just play and make friends and do role-play just as “myself” without the encumbrance of “ZOMG you’re Christie Golden!” out there. In the end, I am as big a fan as anyone, and I love the friends I have made and the stories I’ve been involved in. People are so very, very creative! As for what I play, I play both factions and enjoy them equally. I’ve played every single class one time or another. I’ve played orc, troll, tauren, human, night elf and gnome. Can’t wait to play blood elf and, of course, a draenei!
Did the in-game Roleplaying experience help you with writing Rise of the Horde at all? – by Grushnak @ Cenarion Circle Realm
Christie: I think it would have helped more if the novel had been set in present day Azeroth. Knowing things like how far away Ratchet is from Stormwind is invaluable in making a place feel “right” to someone who knows the game well. What it did do was let me play with the orcs as characters, and nail down how certain spells looked. For instance, I would have had a harder time describing shaman and warlock spells had I not known how they “looked” to an observer.
I will mention some locations from World of Warcraft: Burning Crusade: Terokkar Forest, Hellfire Peninsula, Nagrand, Zangarmarsh, Blade’s Edge Mountains, Netherstorm, Shattrath City, Shadowmoon Valley. Which are mentioned in the book?
Christie: They’re all mentioned. Terokkar Forest, Hellfire Peninsula, Nagrand and Shattrath get a bit more “air time” as it were.
What races will be featured in the book beside orcs and draenei?
Christie: We’ll see ogres and their really nasty masters, the Gronn, as well as a variety of demons. But primarily, this is a tale of two races.
While I thoroughly enjoyed Lord of the Clans (A certain scene towards the end did in fact bring a tear to my eye and caused my jaw to drop), I thought that some of the novel was slightly too slow and felt like ‘standard’ fantasy but this was probably at least due to the requirements and limitations of the canon and the 6-weeks deadline. Will you truly have a great deal more creative freedom with Rise of the Horde? – by Ben “Magic” Brown
Christie: I’m glad you liked the book, and I do think this one will feel much richer. When I wrote LORD OF THE CLANS I did not have the advantage of the deep familiarity I now have with the world, and as you mentioned, six weeks is a pretty short time to write an entire novel. Of course I needed to stick to the history Blizzard gave me, and I wanted the orcs to feel real to people who already knew (and played) them. But I had a wonderful opportunity to create some lore of my own, as well as creatures, as well as the chance to really flesh out Durotan, Velen, and even Kil’jaeden. I think you’ll find it’s a richer reading experience because of that.
How in-depth will we see Draenor and the orcish culture? — by Ben “Magic” Brown
Christie: Pretty deep! I was able to create many rituals and clan structure on my own, and the draenei were still very “new” at this point.
What role will Orgrim Doomhammer play in your book, and what can you tell us about Orgrim’s past, his relationship with Durotan and the other clans? — Jonathan Pichard
Christie: I’ve always enjoyed writing about Orgrim, and it was wonderful to get to establish both him and Durotan as youngsters. Chapter One details how they meet, and the novel follows their friendship even as their destinies take them on seemingly different paths. We’ll also learn about the prophecy of the Doomhammer.
What scenes in Warcraft: Lord of the Clans and World of Warcraft: Rise of the Horde have you especially enjoyed writing? Do you have any particular favorite moments or characters? – by Ben “Magic” Brown
Christie: Oooh, I think I’ll need a “spoiler” warning on this one if I’m to talk about it?
I loved showing Durotan and Orgrim as “kids.” I loved the scene where Orgrim, Durotan and Velen are at dinner together. I loved the conflict between the older Durotan and Velen. I loved Mother Kashur, and the spirits of Oshu’gun. I loved being able to make things a little grayer and less black and white when it came to Ner’zhul. I loved revisiting Drek’Thar as a young, keen-sighted, intense young man who is not as wise as he later becomes. I loved the cameos of Rend and Maim as sneering punk kids. And I think most of all, I loved the storming of Telmor, because it was painful to write, and such things should never be easy.
Do we get to witness Grom Hellscream become the first orc to drink Mannoroth’s blood? This is an event many fans wish to read about since he was the first orc to drink it and the liberator of the race by slaying Mannoroth in Warcraft III: Reign of Chaos. His sacrifice meant redemption for himself and his race.
Christie: Yes indeed. Another scene that was really fun to write, and also a big responsibility, since is such a pivotal moment in the history of the orcs. I hope it’s disturbing enough for you all!
Do we get to read about the first contact between Medivh and Gul’dan, or the creation of the Dark Portal?
Christie: Yes, you’ll see all of that!
I have played World of Warcraft: Burning Crusade closed beta for three months and I have heard – from people that already has read your book – that many quests in the MMORPG have close ties to the events in your book. What can you tell us about the Draenei crystals, what is their importance, and can you please share the name of each crystal?I know we get one from Nexus-Prince Haramad to deliver to A’dal; and Akama in the Warden’s Cage (Shadowmoon Valley) leads us to another crystal held by Shadowlord Deathwall at the Atamal Terrace in Ruins of Karabor (Black Temple).
Christie: One of the really remarkable and wonderful things about this whole experience is that Blizzard is a company that doesn’t just look at things from one direction. Usually, when an author does a tie-in novel such as RISE OF THE HORDE, things all go one way?from the original creation (the game) to the novel. Seldom if ever does anything that is mentioned in a media tie-in novel make it into the game/TV show/etc. Usually such novels aren’t even considered “canon.” Not only is my work canon, but characters I have created (such as Taretha) are showing up in the game as a solid part of the history.
When the folks at Blizzard read the first draft of RISE OF THE HORDE, they liked a lot of the things I had brought to the book and incorporated them into the expansion. Honestly, there really aren’t words for how excited and honored I am by this. It’s an enormous compliment. I’ve played Beta but I haven’t seen everything yet, so I can’t tell you exactly how things got incorporated. I did get a sneak peek at a few things when I met with Chris Metzen and some other great members of his team at Blizzard HQ a few months ago. What a great time that was! :D
On our previous interview, you mentioned to have written Lord of the Clans in 6 weeks. How much time did you have now to write Rise of the Horde?
Christie: I had four months total. MUCH more time, and I’m glad to have had it as this is a much more epic storyline. LORD OF THE CLANS focused on one person, Thrall; this is a story of how an entire people became corrupted and lost.
Did you get in contact with White Wolf Publishing’s writers (Luke Johnson) about the Wow RPG: Horde Player’s Guide, or did you only have contact with Chris Metzen? – by Baggins
Christie: Mainly Chris Metzen, though I do have the Player’s Guide and used it as a reference as well. Because the expansion was in actual development at this time, his was the final word.
Any anecdotes with communication between you, Chris Metzen and/or other Blizzard developers during the writing of Rise of the Horde?
Christie: As I mentioned, I had the chance to meet Chris and other members of his team for a tour of Blizzard HQ a few months ago. When you enter the lobby, you are greeted by the statue of Illidan that was at E3. WOW is that thing huge and intimidating! It was wonderful to meet some of the artists and lore masters and designers as well as catch a glimpse of a few things that are coming. My husband and I were the first non-employees to see the cinematic trailer for the expansion, so we knew you were all in for a treat! I think the most fun was going out to lunch and just jamming for a bit.
My husband and I are avid RPers and we were able to let Chris and the others know how RPers were really making good use of the world. RPers are a minority of course, so it was nice to be able to be their “reps”. One thing I requested if they could manage it was more character slots, because you see, we need those extra alts to help move our stories along? *coughs* We’ll have to see if we get more slots in the expansion. I left with some cool Blizzard goodies, including the Burning Crusade mousepad of Outland from Chris’s own desk. That was a highlight of a business relationship that?well?is pretty much composed of highlights.
Are there any future plans for you to write upcoming Warcraft or Starcraft novels beyond Wow: Rise of the Horde and the Starcraft: Dark Templar Trilogy? We would like to see it happening. – by Braizenwrack @ Silver Hand
Christie: Thank you, I would to! I hope it comes to pass. We have mentioned such things and it will depend on where they want to take the novels and also my own schedule. But I am keeping my fingers crossed, because this has been an amazing experience.
Why should fans read Rise of the Horde and play Burning Crusade expansion?
I think it will add a layer of richness to the gaming experience. I know that some are uneasy about the draenei’s role in the world, this might make it make a bit more sense. There’s also a lot of stuff there for RPing, ideas for rituals that could be part of your characters background or the basis for an RP event. Mostly, though, because I think readers will enjoy it!
How are doing your Final Dance Series and the reprint of your 1991 book, Vampire of the Mists? By the way, I love the bookcovers of Final Dance.
Christie: Yes, I love the covers for all of these. Vampire of the Mists is doing very well. Of all the books I’ve written, I think that is my most beloved with readers. It’s wonderful that it’s back in print for diehard fans to have a new copy and for new readers to meet Jander. And I’m indirectly responsible for the elven vampires you see playing in WoW, as Jander Sunstar was the first elven vampire ever. I really believe that that archetype will be my writing legacy, and I think it’s a pretty good one. The “Final Dance” series, ON FIRE’S WINGS and IN STONE’S CLASP, have hit a bit of a snag. I’m waiting to hear from the publisher if they plan to continue the series. I certainly hope so, I don’t want to leave readers hanging! A lot of people who have read my Warcraft and Ravenloft novels have read this series and enjoyed it. There are excerpts on my website if anyone’s curious.
Will any of your previous books make it into Film / TV? If not, which book(s) you dream could make it to the big screen someday? – take notes Film Directors.
Christie: So far nothing’s been optioned, but never say never, right? I think ON FIRE’S WINGS would make a great movie personally, or Vampire. And since a Warcraft movie is underway I think they’ll be doing a brand new story for that, but obviously a Warcraft movie would totally rock! I actually do have a couple of ideas for screenplays, we’ll see what happens with that.
If you had anything to tell Chris Metzen and Blizzard from the bottom of your heart, what would that message be?
Christie: Ah, that’s the easiest question yet. From the bottom of my heart? “Thank you!”
Thanks once more for sharing some time out of your busy schedule to address your fans. The community appreciates you. Hope to meet you soon for the follow up on Starcraft: Dark Templar Trilogy, book one: Firstborn.
Thanks to Blizzard and Simon & Schuster Pocketbooks for the wide and warm support over the years, and for choosing the best writers to expand the Warcraft universe.
- Previous interview with Christie Golden (Warcraft: Lord of the Clans)
- Wow: Rise of the Horde Excerpt
- Order now World of Warcraft: Rise of the Horde pocketbook
- Post a Comment at the Warcraft Lore forum.
I am traveling this week to my local Barnes & Noble to pick this book. I hope you all read the RISE OF THE HORDE. Christie was a bit shy in sharing a link to her Final Dance website. Because I and many fans love her writing work, I will share the link. We love you, Christie! =)
- Christie’s Novels Official Website
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