I’ve created a new site management system, for the next week or so expect some major changes to occur.
Keys of Sealing 2.21 News post from: RazorclawX
I created a new version of Keys of Sealing. This version requiresthe TFT 1.17 beta patch or later to play. This version has asignificantly smaller file size and rearranges some of the Hero skills,while replacing some of the Heroes with new ones.
You can download this here: Keys of Sealing
The new features include:
- Spirit of Destruction and Keyseeker can no longer win the game
- Knight of the Black Rose replaced with the Alchemist
- Tortured Soul replaced with the Tinker
- Wind Rider replaced with the Firelord
- Crypt Lord now has the following skills: Soul Burn, Souls of Vengeance, Fortified Armor, Locust Swarm
- Debilitator now has Rain of Blades instead of Drunken Haze
-The Secret Shop was replaced with the Wandering Merchant. If youremember the Wandering Merchant in the old map, this should be similar.However, at this time there is no means to pinpoint its exact locationevery time it moves, so this is based on luck. If I get enoughcomplaints about it, I may add a locating device OR put the Secret Shopback.
This map is a public BETA which can only be played on the Westfall server.
I need an army of good men by Warbringer87 at 6:46 PM – Saturday, August 28, 2004
We here at Campaign Creations have an urgent need of testers for a lot of Maps we have. These maps need to be tested online, because we need to check which ones work and which oens don’t.
If this was a small amount, we would do it on our own, but the vast amount of maps calls for some reinforcements. We need a lot of people to be testing these maps with us. There is nearly every type fo map imaginable.
We need people who play Warcraft III on battle.net. The Frozen Throne is NOT required, but it might be needed for some maps. We need people with some time on their hands, and we need a group of people with some map-making experience, to fix and update any maps which are not working properly. If you want to help, please contact us at:
In the email please tell us on which server you usually play at, and if you have The Frozen Throne Expansion. Also tell us if you are proficient with triggering/terraining/cinematics and if you would be willing to lend your skills.
Surge Magazine visited Blizzard Entertainment at Irvine to interview Game Producer John Lagrave and Director of Game Design Rob Pardo. The article gets a rundown of the history behind Starcraft: Ghost. Blizzard did never plan to abandon the Console market, but their success in the PC market sorta slowed them down. Nihilistic then came to Blizzard with a plan to create a FPS game. Blizzard saw Nihilistic as the opportunity to return to Consoles while they focus their efforts on World of Warcraft. Currently all Blizzard teams are busy. Blizzard North is working on an unannounced project. A second project of Blizzard North was canceled back in August due to the resignation of 30 Blizzard Employees. The remaining staff of the cancelled project was merged with the second team to keep working on one game.
The other Blizzard Team was working on Warcraft III and Frozen Throne, and the third team is focused on World of Warcraft. Nihilistic was sorta like a blessing for Blizzard who wished to return to the console market, but had no personnel to spare into a massive project like a console game. When Nihilistic visited Blizzard and proposed a Console game as a third-party team for Blizzard, they didn’t blink. They gave the go ahead and immediately John Lagrave and Rob Pardo offered support to keep the game as highly Blizzard quality as possible with a daily supervision on the work done by Nihilistic.
While Nihilistic works on 3D modeling, interface, weapons, and other areas … Blizzard supervises and offers collaborative effort with Rob Pardo and John Lagrave, creates the in-house Cinematics and most of the narrative sequences and voice actors.
Everything Nihilistic creates in the game has to be approved by Blizzard in a daily basis. Nihilistic currently consists of 20 employees, located in San Francisco. Blizzard also assist with artists developing models and environments to give it that feeling and look of a Starcraft Universe. Details like the burned soil of Mar Sara are testament to this. Mar Sara was one of the planets that the Protoss burned down from orbit to purify it of Zerg infection; which are details needed in the game to give a feeling of continuity and realism with the environments set in the Starcraft RTS universe.
Blizzard reveals that Starcraft: Ghost offers players navigation of 5 planets full of missions throwing you into desert, jungle, asteroid and molten environments. Lagrave warns that fighting against Protoss Purifiers isn’t piece of cake. Few seconds under the psionic raygun energy field and you are toast! This unit resembles what Firebats do with a flamethrower, although they shoot pure psionic energy blasts instead.
Psi powers are useful when you are discovered and need to make a safe retreat to make a kill before the guards alert others of our presence. Nova uses 4 types of Psi-powers:
Sight power: It is a Predator-visor-like effect low-light vision enhancer that lets Nova perceive footprints, interactive control panels, enemies behind walls and weak points in enemy armor. Once her psi charge runs out Nova should hide into the shadows away from being discovered.
Blizzard revealed that there are 3 types of mines which are insect-like drones(robots): the Mantis Mine is a reconnaisance mine that crawls around undetected bypassing guards on the ground level. The Firefly Mine focuses on distracting your enemies. You can use Fireflies to lead the enemy to a ambush or to lead them away from your destination. The Spider Mine is a walking explosive device that can sneak up on the enemy and can burrow to remain undetected. Once the enemy is on top it kills the target.
Blizzard reveals that players have to navigate 23 levels through the game which may offer a minimum of 15 hours of gameplay. Check out Surge Magazine issue# 2(May Edition).
Q&A 03/10/04 | 3/11/2004 12:07:44 AM EST
Will we be able to visit the old deep sea oil rigs and foundries that existed in WarCraft II?
Can players visit the Outland?
Can we go to Quel’Thalas?
What famous places can we expect to see?
Do High Elves still exist or are they all Blood Elves now?
It’s important to know that the transformation from High Elf to Blood Elf is not physica in nature but is instead an ideological change. While the majority High Elves made the cross over to become Blood Elves, there is a small handful of High Elves that hold true to their original identities.
Including jewelry, will all equipped items be visible on our characters?
Will the ammunition for ranged weapons have to be replaced?
Will there be throwing weapons in the game and will these weapons be lost after they are thrown?
Will there be more than one type of ammo for each ranged weapon?
Do you need Alchemy and Herbalism to create poisons as a Rogue?
Alchemy will have no bearing on poisoning. A rogue might wish to explore Herbalism as some, but not all, of their recipes will require herbs. It’s also important to note that poison recipes will require a variety of ingredients which are bought from vendors, found on creature corpses and cultivated via the Herbalism skill.
What is the difference between the Warlock spell “Find Herbs” and the “Herbalism” skill?
I understand that Voidwalker pets lose life over time and Infernal pets are only brief summons. How long do they last? How often do they need to be resummoned?
Is the Imp still a useful pet to the Warlock at higher levels?
Can we get an update/more information on racial benefits and abilities?
Will I be able to drop stuff on the ground so that someone else can pick it up?
Are they still planning on eventually adding player housing?
Will your mount appearances be customizable or will they all look alike?
Do instanced dungeons automatically respawn after they are cleared out or does a new instance need to be entered to fight them again?
This really depends on the dungeon. As an example, Wailing Caverns in the Barrens does not automatically respawn while Shadowfang Keep in Silverpine Forest is set to continually respawn as it is cleared.
[17:06] The gnomes are already so cute .. seeing them on sheep would be great I’ve got to run folks .. sorry I couldn’t stay longer .. thanks Raal and all the good folks at blizzard guilds for inviting me .. have a great weekend y’all
t will be?
The gnomes are already so cute .. seeing them on sheep would be great I’ve got to run folks .. sorry I couldn’t stay longer .. thanks Raal and all the good folks at blizzard guilds for inviting me .. have a great weekend y’all
Julian Kwasneski Sound Designer
Julian Kwasneski started his career in game audio at LucasArts Entertainment Company, and is credited with sound design on several leading LucasArts titles. After leaving the company in 2000, he co-founded The Bay Area Sound Department with Clint Bajakian. Julian has worked on many award-winning game titles, including Starcraft: Ghost, James Bond: Everything or Nothing, Star Trek: Bridge Commander, Star Wars: Jedi Outcast, Star Wars: Knights of the Old Republic, and SOCOM: Navy Seals. His consistent sound design has been critically acclaimed by ign.com, epigamer.com, gamezone.com, Computer Gaming World, gamepro.com and others. He also has many independent film credits, including sound design for Big Love (Sundance 2000), The Upgrade (Mill Valley Film Festival 2000), and The Last Birthday Card. He has worked extensively with wireless and Internet audio technologies.
1. How much of an influence was the original StarCraft soundtrack on your work? Did Chris Metzen guide you along the production?
A lot. We are all so familiar with the sounds of the RTS that it would be criminal not to base sounds on those. Still, this is a different type of game, so you can expect to hear a lot of cool new things.
2. Will StarCraft: Ghost have specific soundtrack themes per race, and scenario-based themes?
I am not doing the music, but the ambiences are totally immersive so the player will really feel like they are “in the Space” in each of the locations.
3. Which game out of all of the games you’ve worked on, have you enjoyed creating the most or fills you with satisfaction the most?
I liked Knights of the Old Republic for the diversity of the locations and I loved creating ambiences for the different worlds. Grim Fandango was also very satisfying ambient work (I worked on the ambient beds with my partner Clint Bajakian). Jedi Outcast was cool too and of course, Ghost was a nice new challenge for me.
4. Do you reuse/recycle the old sounds from previous games where applicable, or do you start all sounds of a game from scratch?
On the Star Wars titles I’ve worked on, I always build upon the awesome sounds created by Ben Burtt and I will use the classic sounds from the films as elements to create new sounds. In some cases though, I need to start from scratch if there isn’t sufficient source sound from the movies. For example, while a certain vehicle may only make a brief appearance in a film, it may be a featured vehicle in a game. In these cases I need to recreate the vehicle sounds from scratch. Another example is the Ebon Hawk in Knights of the Old Republic. It is similar to the Millennium Falcon, but it’s way bigger and beefier. I took the Falcon sounds, added new elements like V8 motors, dragsters and thunder and created a similar but different vehicle sound.
5. How did you make those Zerg sounds, do you swallow something and yell; or are they animal sounds added and mixed with some other sounds?
I didn’t actually, these were done by Derek Duke and the Blizzard sound gang and they did an awesome job.
6. Who are the composer(s) of all the songs in Starcraft: Ghost and their career background(if available)?
7. I assume you are involved in both voice sound editing, and sound effects of Starcraft: Ghost from what I have heard. Are you backed up by more people? Or is this a solo job?
I am doing the majority of the sound design though Derek Duke and the sound team at Blizzard have done an awesome job on all the creature sounds and many other sound effects.
8. I was wondering this one when I looked upon that Goliath model. How on Earth did you go about getting sounds for something that huge? It is hard to “recreate” I guess.
We’re still working on it, but I drew upon large machinery and hydraulics recordings and thunderous metallic foot impacts. It’s really fun to drive!
1.Hardware, what do you use? I am dying to know. We got many Sound Editing fans from a Modding Guild at WC3Campaigns, BlizzSCUMS and SAVAGE(Star Alliance) who may want to learn more from your expertise.
I am all Mac-based using a Digidesign Pro Tools TDM system with loads of plugins including everything from Waves as well and Kantos, Pitch’n Time, Bias Peak, etc. In my opinion, Digi is the only way to go. Expensive, yes. But you step into any major studio on the planet and you’ll see Pro Tools. It’s rock solid and sounds incredible.
2. Voice acting, do you normally get a batch of wave files from Blizzard studio and they want you to work with those?
Yes. I will get large batches of edited voice files and will process them to sound the way they should. I have different processes for each group of characters…the Marines sound one way, radio briefings sound another and Nova has a sound all her own.
3. What hardware do you use for voice editing?
I use Pro Tools to get the regions (files) in the ball park. Sometimes this means adding a little EQ or compression or simply a global gain change to get them to healthy levels. Then I use Bias Peak to trim them nice and tight and for the final mastering.
4. What hardware do you use for recording sounds? Do you actually go out into the wild outdoors and record stuff?
I use a Tascam DA-P1 DAT deck to do mobile recording with a variety of mics depending on what I’m doing. I absolutely get outdoors and record things. The only way to get a game to sound unique is to use unique sounds. We’ve all heard most of those library sounds a few times now and though they have their place, I like to roll my own.
5. In Starcraft: Ghost, How much of sound effects are computer generated? And how much are real recordings? Elaborate.
Some of the Protoss sounds are synth generated or some kind of other processing like granular synthesis, etc. The vast majority of what I’ve done to-date have been real-world sounds.
1. What do you use for sound editing, voice editing and music editing? (Software wise)
Digidesign Pro Tools and Bias Peak are my main tools. I use them for everything.
1. Are you in any sort of sound editors organization? Let the Starcraft Modding Sound Editors(fans) know more about it in detail.
I am a member of GANG, the Game Audio Network Guild (www.audiogang.org); but other than that, I am honestly just too busy to get involved in a lot of different organizations (though I’d love to).
1. I think we would all die to know the exact specs of some of the Starcraft: Ghost voice effects. (This is probably restricted?)
Not much to tell. Blizzard hired some real pros, they just do what they do and have great creative direction.
2. How do you go about just cleaning up and preparing for recording a simple humanoid voice? Mention examples(units–Marines, Templar, Zealot, etc.):
I didn’t record the voice, Blizzard handled that.
3. How do you get realistic effects? I doubt you bang pots and pans together.
I record things that make the types of sounds I want and combine them. It takes a lot of trial and error and often you have to leave something and come back to it if it’s just not working. It’s kind of like music….like a guitar solo. When you’re ripping a lead, your mind is slightly ahead of where you are playing. You know where you want to go and how you want that note to sound….when it happens, you go, “Ahhhh, that’s it”. Sound is the same. I see an animation and I instantly know how it should sound. The tough part is matching what’s in my head. That’s where experience comes in handy. Like a chef who knows what two things make a nice spicy sauce, I have my bag of tricks. Still, there’s often nothing better than a fresh take on something. I often run my sounds by friends and colleagues.
1. Any internet sites with forums you can recommend that contain all your sound guys, from where we can learn and interact, even talk to for advice?
Check out GANG, the Game Audio Network Guild. If it’s not there, you will find out where to look for it.
Advice on how to make it into the industry
2. I hear that you did not have a specific College education for this line of work. How exactly did you get in then? How can a young guy, like any of the fans, make it into LucasArt, BioWare and Blizzard? –This is to show fans that they don’t need to spend thousands on a College degree to be a professional in the industry. You are the role model with a great career and testimony. All you need is the talent and the guts.
Oh boy…well…there is nothing that prepares you for life like a college education. But you are correct, I did not study sound design or anything related to it. In Junior High and High School I played with synths and ganged tape decks together to make my own poor man’s multi-track recorder. In college I was in a band (and still am to this day) with my cousin and we did all kinds of sequencing. I also saw many films and would notice the details of the sound. When I graduated I worked for several Real Estate developers and was miserable. I was a stock broker with Merrill Lynch for a year, got my series 7 license and I was miserable. I even went to law school briefly and was also miserable. I ended up getting a waiting/bartending job and pursued my passion at the time which was recording, mixing and playing music.
I worked in several studios (for free) to get exposure. I bought a bunch of gear and recorded bands on my own. I wanted a job at Lucasarts and eventually found my way in as a temp in product support. I quickly advanced and got hired into the Voice department and from there, the Sound department where I absorbed everything I could. I’m sure I am being too modest so I should add that I obviously had some talent and a good ear. I kept working on numerous titles before leaving to form my own company with Clint Bajakian who was a real pioneer in game audio and a mentor of mine while at Lucasarts. I really enjoyed working there, but I wanted more variety…and I got it. You know what they say, be careful what you ask for….
2. If you could go back, how would you have changed your approach to getting into the industry?
Hmmmm…..I don’t look back. I am happy with everything I got to experience, the good and the bad.
3. Will recent technologies influence how to get noticed? Is internet a good way? Or maybe game developers hardly need new fresh sound engineers anymore, because they have all they need with Veteran engineers?
Just be persistent and get good with whatever tools you can get your hands on. I scored all the cinematics for Outlaws with a 4 channel Deck system on a Mac Quadra 650. You need to really push sometimes, and you may not always get paid….but if you stick to it, and you’re good, you’ll make it.
4. Do game designers find you, or do you find game designers in this phase of your career? Who contacts who?
Both really. I am fortunate to be friends with a lot of my clients. Sound is really a collaborative art to me and I enjoy the back and forth that often results in a great soundtrack. I am not one of those sound guys who knows everything and who take complete ownership. I’ll stand my ground when I need to, but you never know when that next brilliant idea will get suggested.
5. Have you ever considered writing some tutorials on getting started in sound creation? The web is strangely silent on the topic.
Yes, but it’s a lot of work and I tend to work 60+ hour weeks and I like to see my wife and son from time to time.
1. Do you even have time for fun things with all this work. I hear you are working on 6 games at the moment!
It’s all fun and I am lucky to be doing what I love to do. I am also lucky in that I work in my own studio, free from water coolers and senseless meetings. If I work a 10 hour day, it’s 9.5 hours of pure sound work. It also doesn’t hurt to be in a company with other people to share the heavy lifting. Still, I am pretty particular about what I am after and often can only get the sound I want by doing it myself.
2. Do you have a lot of competition in the business?
Absolutely and it keeps getting more intense. But I should add that a lot of the competition are my friends. I don’t play dirty pool…you win some, you lose some. It’s a business at the end of the day.
3. Why haven’t movie directors contacted you more often?
Movie directors don’t often play games. They also don’t move in the same circles game audio people are in (GDC, E3, etc)…though this is changing. I have done sound for quite a few short or independent films, but game audio is interesting in one respect. The skills we game audio folk rely on to score games are directly applicable to doing film work but it is not the same in reverse. While there are a lot of people who do both game and movie sound, most of the film people I have worked with had a tough time with the technical limitations of games. Short loops, 28 sample boundaries, memory budgets, sample rate conversion and the lack of a consistent linear playback can be overwhelming, even for those of us who do this every day. I should add that I like doing game sound. I like the challenges and I like the payoffs. If I wanted to do film sound, I would do film sound.
4. Have you ever done a voice acting yourself or played a role as an actor?
Only in small roles, like a single line for a computer or something. My recorded voice sucks!
5. Have you ever checked out the modding of games, and what do you think of their sound level?
To be honest, I haven’t…but I would love to if I had the time.
6. What are your favorite games?
This is like asking what my favorite song is, it’s just not a question I can answer. There’s too many.
Well thanks for sharing many tips and info to the fans. Many Modding Sound Editors out there are grateful to sharing questions with you and get some feedback that can teach them more about your career and that may direct them through the right tracks into the Game industry. We appreciate your time and dedication during the interview, and will keep tabs on your future projects and your sound editing organization.
Helpful links for Modders and Sound Editors:
Digidesign Pro Tools TDM system
Below are links with information, and details about this tool. You will find links to download it too.
- Article about Pro Tools TDM
- Mac OS X
- Mac OS 9
- Windows 98/ME
- Pro Tools update 6.2.2 (for Mac OS X Panther)
- Antares Kantos 1.0 plugin
- Audio Controlled Synthesizer info and links
List of Hardware and Software you may find in a Studio:
- Sound Stage Studios
- Serrato Pitch’n Time 2.0
- Information and downloadBIAS Peak — the world’s most popular stereo audio editing
- Features, Screenshots and system requirements at the bottom
- BIAS Peak DV X 4.11 Demo (for Mac OS 10.2)
- Tascam – DA-P1 DAT Deck
- Details and sale
Blizzplanet assisted to the Fan Sites Program Chat with Blizzard Public Relations Department to talk about World of Warcraft. The Blizzard employees attending to the chat were
Donna Anthony (Katricia), World of Warcraft Community Manager.
World of Warcraft Development Team: Mark Kern, Rob Pardo, Shane Dabiri, and Jeffrey Kaplan
Public Relations: Lisa Bucek (Public Relations Director), Gil Shif (Public Relations Assistant Manager), George Wang (Public Relations Fan Sites Coordinator)
Web Team: Geoff Fraizer, Blaine Whittle, and Mike Hein.
Special Guest: Mike Morhaime, President.
Blizzplanet was represented by MEDIEVALDRAGON, Dark Nemesis, Stephen and Yitten. We arrived 2 hours before the chat to find many Fan Sites waiting there for hours as in preparing for a big event. I chatted with OneMadOgre from WorldofWar.net, found MikiTitan from Wowlands, WowCentral, WOW-Ra, Demolishman, WarcraftGaming.com, Ogresnet.com, Wow.Stratics, Wow.Warcry, JudgeHype and many others. Something we could notice was that the channel limit was still 40 chatters. As you may guess, many fan sites were in transit hitting that button many times trying to get into the channel in Battle.net US East.
Some time later, everyone were in silence as Lisa Bucek entered the channel. The Channel limit was increased once Robert the SysOp set up the limit. Suddenly a wave of Fan Site Program members came in like an avalanche. From 40 members, the room increased to 150 members. And introduction of the Public Relations staff initiated. That said, the Questions and Answers were led by Lisa Bucek and Katricia, with some intervention by George Wang and Gil Shif—who were behind reading some of the submitted questions in the background and shared few answers.
The World of Warcraft chat revealed many questions that covered the following topics:
FAN SITE CHAT TRANSCRIPT:
[LisaB.PR] Hey everyone, good to see you – we’ll start the chat now – fire away
[Katricia] Hiyas all … Good to see you all here this afternoon
Q: If a group of people enter an instaced dungeon, how does a new player join that group or enter their dungeon?
Katricia: Basically the group can invite that player into their party and when the player enters the instance they will automatically be in the same instance as that party.
Q: What sort of information the map going to display?
Katricia: The minimap will show various points of interest such as towns and major cities. You will also be able to see members of your group and if they are out of range, you’ll get directional arrows so you can easily find them. For the world map, you can see the entire world at once, half the world, or zoom into paticular zones which will show areas that you’ve already discovered. You’ll also be able to place a rally point on the map which group members will see. This will be used for navagational purposes.
Q: Will I be able to place flags down on the minimap to mark locations if I wish to return to that place later?
Katricia: You can ping the minimap to make group members aware of a particular area. You will be able to make notes on the world map including key locations later.
Q: How does pathing work? In other MMORPGs problems have resulted from players being able to affect NPCs without retaliation and viceversa. What are the solutions to these problems in WoW? Summoning, warping , line of sight, etc...
Katricia: We have special creature AI so they can’t be exploited. Creatures know when they are being exploited and go into “evade” mode and return to their spawn point.
Q: Will players be able to customize their interface?
Katricia: Yes, you can drag and resize chat windows and later on we hope to enable dragging for other windows in the game as well. For those more technical types you can completely customize and change the interface using XML and Lua scripting. We expect users to create custom interfaces for PvP, trade skilling, guild skins, specific classes etc.
Q: How many trade skills can a player master on an individual character?
Katricia: A player will have to pick and chose as they will not have the skill points to take everything. Skills can be “untrained” though, so there’s no worry about picking the wrong one and being stuck with it.
Q: How will the trading interface work?
Katricia: You must be side-by-side. The interface is designed to be as secure as possible. A similar interface is used to provide a secure system for enchanting and unlocking boxes etc. This is cool because in other games you actually have to hand over your items to the enchanter, who may not be honest. In WoW, the enchanter never has physical possesion of your item.
Q: Can you give any comparisons, or lack of, between the drop system in WoW and D2?
Katricia: Like D2, WoW supports a form of random item generation. Unique items can be created by the system such as “Sword of Life-stealing” or “Breast-Plate of Stamina”. We take the basic item like the sword, and the system randomly combines it with a modifier such as life-stealing.
Q: We’ve seen from an older screenshot that the Dark Portal has been rebuilt (after being destroyed in War2 expansion pack). Can you give us any background on why it’s back or what role it’ll play in the game?
Katricia: The foundation of the Dark Portal was never destroyed even though the connection between the worlds was severed; and while it is no longer open, there is a legend of a ritual contained within Medivh’s spellbook which might one day allow powerful Warlocks to open a portal.
Q: What happens when a player fails to complete a quest? Will there be and option to try the quest again?
Katricia: Yes, players can always go back to the quest giver and try again.
Q: Can you tell us more details about group spells and/or rituals?
Katricia: The warlock has the ritual of summoning. With three people in a group, the warlock will cast a portal that two others must touch which will summon a distant party member to that location.
Q: Will it be possible to journey into Outland (or not if in the initial release planner later)?
Katricia: Ahhh … We’ve got to keep some secrets
Q: Will there be any class-related quests that take you to enemy towns and/or cities? (For example, can a rogue get to sneak in, steal stuff, and sneak out for a quest)?
Katricia: Yes, there are some quests in the game that take you into enemy towns.
Q: Will the quests progress the Warcraft storyline, and can we expect to see the storyline drastically affect the Warcraft game world as time progresses?
Katricia: We have a story planned over the next few years which affects the world in dramatic ways.
Q: For people who have friends that want to play together from the start, but play different races, is it going to be easy and/or quick to start playing with your friends as soon as possible?
Katricia: For some races its easier than for others. For example the Humans and Dwarves have easy transit between their two cities while the Night Elves are in a distant land.
Q: Will there be a variety of fish to catch while fishing? Will there be any special items, treasure chests, or SOS bottles that are able to be fished up?
Katricia: Yes, we are even planning in having seasonal fish—and they can tie into quests and other tradeskills. You can also fish up things like lock boxes, unique armors, and other things.
Q: How will players use mounts? Will they be available through a summonalbe skill, or merchant (ie. stables). How long will they last and are there different levels for mounts?
Katricia: Mounts become availlable to each race at a high level. We also have other specialty mounts … Warlocks for example can summon a Nightmare. Mounts can be called when needed by the owner.
Q: Will Hunters who train in bows and rifles always be better than say a Warrior who has trainned to the same level of same weapon?
Katricia: They will very likely be very similar in skills, however; the Hunters will have additional abilities with those weapons that are unique to their class. This will ultimately make them more powerful with ranged weapons.
Q: Will there be “named” or “unique” monsters in the World or Warcraft? If so, will they appear randomly or will they only spawn under certain circumstances?
Katricia: Yes there are many unique monsters in Wow. Some will appear randomly, while others will only spawn when certain conditions have been met.
Q: Will items be crafted in Wow be more useful to other players than the crafted items are in other RPGs?
Katricia: Throughout your career as a crafter, there will always be items which you can create that will be the best items a player can use at that level. For example, at level 40 the best bracer might come from a blacksmith; while at level 45, the best brace might come from a quest. There are also a number of consumable items that can be created such as armor patches and sharpening stones. Tradeskillers can sell th
ese consumable items to players who will use them to improve their existing armor and items.
Q: Will players be able to recreate the same item over and over as long as they get the r
Q: Will there be a follow option to have your character automatically follow your group leaders?
Katricia: Currently you can follow anyone not just the group leader.
[GilS.PR] Hey everyone, that was the last question. However, we have a special announcement for you, so hold on a sec’, and I’ll turn it back over to Katricia.
[Katricia] Just wanted to thank you all for coming today and wanted to let yas know that all of the sites in the Fansite Program have automatically been entered into our beta program …
[Katricia] this includes international fan sites.
[Katricia] Also, we will be handing out additional beta accounts to fan sites to use for contests … (more on this at a later time).
[Katricia] Thanks again for joining us .. yas all have a great night
[GilS.PR] Thanks everybody. Katricia has left the building See you next time.
During a sea voyage to Menethil Harbor, Lo’Gosh is attacked by the naga, led by a powerful female siren. Further secrets of Lo’Gosh’s past are revealed and Valeera proves far more powerful — and more vulnerable — than any, but Broll, had suspected.
Wildstorm | 32pg. | Color | $2.99 US
On Sale May 21, 2008
So after the 5 page preview leaves off, the team is battling the Naga. Broll mentions that this is just like Dire Maul only for less money. Lo’Gosh moves to Valeera who makes nearly the same quip, illustrating how close they are becoming.
The Naga Siren leading the attack, Morgala Darksquall, gets upset that her guys are getting owned so badly. She summons up a huge Couatl (last seen in Warcraft III: Frozen Throne) to take care of business. In addition, she starts lobbing Arcane energy bursts from what looks to be an enchanted trident.
Broll gets scared that Valeera will absorb the arcane energy and succumb to her people’s addiction, but Valeera isn’t hearing it. The Sea Witch starts casting an arcane burst, but the Blood Elf leaps out at her and snags the weapon. Broll freaks out because now she has the tempting magical item in her grasp, so he jumps out after her. The nagas converge on him as he goes aquatic form, and Valeera uses the trident to kill them. Broll is angry she put herself in danger like that, but Valeera thinks arcane energy isn’t that bad. She says fear of it is just Night Elf superstition and even if it was dangerous it would have been worth the risk to save him. Broll breaks the trident and drops it to the bottom of the sea, then carries her back to the ship while they argue about it.
Meanwhile, Lo’Gosh nails the Couatl in the heart with a nearby harpoon. This inadvertently causes the beast to crash into the ship and do some damage. The sea witch says it was a lucky shot, and then recognizes him. She says he’s the same “grub” that they captured before. She goes for a forked lightning, but gets an elbow to the face for her troubles. He grabs her by the throat getting ready for the final swipe, but when he does he gets struck with another barrage of memory flashbacks…
He’s on an island getting attacked by Naga.
He’s dragged from a ship bound for Theramore. Looks like he’s being attacked by a blond human.
He’s crying at the funeral of his wife. The Queen is definitely dead.
He’s standing before Stormwind Nobles at his coronation. It looks like Katrana Prestor is there.
The siren is confused, and says she knew he was a weakling. However, it seems as if Lo’Gosh now really knows who he is. In a “This is Sparta!!!”-like moment he shouts: “I am King of Stormwind!”, mentions that nobody, not the naga, nor the scourge, nor the lords of the legion, will keep him from his people, then cuts his enemy in half. The other naga see this, and decide to make a tactical retreat.
The intensity even startles Broll and Valeera, but he assures them he’s both the King and the Gladiator, and will always be loyal to his friends. He commands they all get to work making repairs and healing the sailors so they can get back to the Eastern Kingdoms ASAP. Clouds are gathered above the ship in the shape of a massive wolf head, implying the spirit of the Demigod Lo’Gosh may indeed be with them.
Overall not a particularly groundbreaking issue, but it served as the final transition away from the Kalimdor story arc. It repeatedly showed Broll and Valeera willing to die to protect the other, they should just get it on already. It also cemented Varian’s knowledge of who he is. I’m not sure if all his memories are back, or if he got back just enough to make him even more focused, I guess we’ll find out next time.
Spoiler by: Gurtogg_Bloodboil
The past comes alive as our heroes reach Theramore, where the lore of Jaina Proudmore reveals Lo’Gosh’s hidden identity. But has it truly done so? Meanwhile, the assassin and the naga simultaneously seek to destroy Lo’Gosh before he can reach the end of his quest.
Written by Walter Simonson; Art by Ludo Lullabi and Sandra Hope; Covers by Jim Lee and Samwise Didier
After the 5 page preview leaves off, Valeera manages to get on her wyvern and escape the sentinels. They recall that a Blood Elf female was supposedly one of the Dire Maul champs, and since she was skilled enough to escape them they figure she was telling the truth and don’t bother to give pursuit. Valeera heads to Darnassus where she expects to be unwelcome …
Tyrande is thankful for what happened with the Idol in Thistlefur, but senses some bad magic around Lo‘Gosh. She sends him to Theramore figuring Jaina can restore his memories because she is a big-time mage. Since Sharptalon was hurt in their recent battles, they check him out with the Rut’theran Hippo master who says they should be able to make the trip. Here’s one of those little good things about the book, the master is Vesprystus, the actual hippo master located in the village in WoW, and even is drawn to look like him. This kind of little attention to detail pleases me greatly because it could have been easily looked over.
Valeera stealthily lands on the island to look around, and overhears some nelf babes asking Vesprystus about the DM champs. He tells them they’re too late because they already left for Theramore, and mentions that they must be real famous because some human on a gryphon was just asking about them too. This of course was the Assassin. Valeera then sets off pushing her wyvern to the max to try and save them.
She gets close enough to see Broll and Lo’Gosh flying over Dustwallow, but the assassin is right behind them. They don’t notice because Broll is basically giving Lo’Gosh the grand tour. Broll even mentions that the marsh is a good source for herbs like Stranglekelp, Liferoot, and Goldthorn (which it actually is in game, again great attention to detail). The assassin is lining up a crossbow shot, when Valeera nails him with a deadly throw and tackles him from his flying mount. They land and get tangled in some spider webs. An old lady and her assistant notice this impressive aerial battle.
Jaina is looking forward to seeing Broll again, remembering his heroics at Hyjal. She also looks hot, unlike her much hated trading-card image. You can understand why all the WC universe males want to get with her. She sensed Lo’Gosh has really bad sorcery on him and she knows lots of spells, but never saw this before. She’ll need to consult her chamberlain …
Valeera and the assassin are battling it out in the web. She wants to know who wants Lo‘Gosh dead. He doesn’t know, and even if he did he wouldn’t tell her. He sends his gryphon to grab her, she stabs it in the eye. Looks like he’s going to finish it, but he gets attacked from behind by a giant tarantula (just like the ones you see in the marsh in-game). The Old Lady decides to help the wounded Blood Elf, who senses power about her. Turns out, she’s Aegwynn. They bring her back to Theramore for a real healer.
Back in town and time to help Lo’Gosh. Even the former Guardian is puzzled by the dark aura, so they do a ritual to see what they can find. He sees all the visions he had before, and new ones. They’re not entirely clear. Apparently his wife was struck by a flying stone and killed. Their was anguish and darkness, but then he remembers his purpose. He was going to Theramore! There is apparently a wall that neither mage can get through guarding the core, and they can only scratch the surface. However, Jaina has seen enough to figure out who he is. He’s Varian Wrynn, the missing King of Stormwind they all gave up for dead!
Now, he’s got to find out what happened to him between the time he left for Theramore and the time he woke up in Durotar, and he needs to find the identities of his enemies. However, he’s got to act really carefully because his son is still in SW and acting rashly could endanger him. They decide to head to the Eastern Kingdoms, but Broll wants to free Valeera first. Too late, she’s there and jumps into Broll’s arms. Although rumors had Valeera and Lo’Gosh supposedly hooking up, I haven’t seen anything at all to indicate this. If anything, it seems like Valeera and Broll are developing a relationship, although it could be a father-daughter type thing (Broll’s own daughter is dead). They’re all happy to be reunited, and they’re off on bost to the eastern kingdoms to find out who’s responsible and kick their asses.
Despite the rumors from the cover, there was no hints at a Jaina-Varian relationship.
This was the best issue yet. Amazing artwork. Incredible attention to detail and respect to established lore, the likes of which absolutely puts the manga and many of the novels to shame. Lots of famous faces, Fandral, Tyrande, Jaina, Aegwynn. The entire comic so far has really embodied the spirit of (world of) warcraft in a way few of the other mediums have.
Yes, we knew who he really was long ago. That doesn’t really detract from the entertaining journey he’s gone on to me.
Summary by Gurtogg_Bloodboil
On their way to Thistlefur Hold, Broll and Lo’gosh are attacked by Harpies. Lo’gosh(the amnesic human) suggests Broll to use his magic against the Harpies to blow them away. Broll refuses to for fear of becoming unstable. This close to the corrupted idol is causing fel emanations increase his rage. Last time, at Warsong Gulch, Broll unleashed his fel rage and that caused a tremendous storm that not only defeated the Horde, but threatened to destroy most of Ashenvale.
Broll jumped off Sharptalon to grab hold of a Harpy in hopes to land safely where he may shapeshift into bear form to fight the Harpies. However, things get worse as they land amidst a Thistlefur Furbolg camp. The Harpies were attacked by the Furbolgs as well, forcing them retreat.
A corrupted furbolg shaman asks Broll and Lo’gosh their reason to come to the Thistlefur Hold. Broll has come to retrieve the Idol of Remulos, a small statue shaped like a green dragon.
The furbolg shaman ordered its breathren to attack the thieves who have come to steal their treasure … the source of their corruption. Broll commands underground roots to rise and entangle his enemies. However, this close to the corrupted idol causes his spell to uncontrollably entangle Lo’gosh as well.
The Furbolg Shaman calls upon the element of fire to free himself. Lo’gosh yells at Broll to loosen up from the grasp of the corrupted idol’s control and to negate its fel energy twisting Broll as much as it does the furbolgs.
Broll settles down his consuming fel rage and loosens up the roots to release Lo’gosh from its grip. Broll calls upon Sharptalon to land to take them away toward the nearby Thistlefur Hold. The corrupted Idol of Remulos lies deep within the cave. Its closeness fills Broll with a rush of power calling and summoning him to the idol. The idol of Remulos is doubly attuned to Broll, both by Remulos (son of Cenarius) and by Azgalor the Pitlord who sent a foul demonic magic flowing into the Idol of Remulos and through Broll during the battle at Mount Hyjal. The closer Broll gets to the corrupted idol, the more it is driving him to madness.
The hyppogryph Sharptalon takes both of them above the Thistlefur Hold cave. There Broll commands roots to grow and to create a tunnel between the outside surface deep into the chamber where the idol of Remulos is kept. Broll and Lo’gosh climb down the roots to the interior of the cave.
A corrupted furbolg calls the alarm to protect the idol. Many of them rush into the chamber, but are stopped cold when Broll commands the roots to grow and block the entrance of the cave tunnel leading to this chamber. Broll approaches the dais where the corrupted Idol of Remulos is kept at. Broll describes the energy emanations as nature energy overlaid with fel energy. Before reaching for the idol, a green dragon seething with fel energy materializes to protect the idol.
Lo’gosh attempts to distract it, while Broll touches the idol to enter the Emerald Dream. Broll asks Lo’gosh to protect his inert body while he roams the Emerald Dream. Easier said than done as the green dragon becomes corporeal and incorporeal at will. Broll requests Lo’gosh, if Furbolgs break into the chamber, to promise he will destroy the idol even if that meant his demise in the Emerald Dream.
In the Emerald Dream, Broll is surrounded by Fel energy. There he fights a manifestation of his own fel rage that has consumed him since the loss of his daugther at Mount Hyjal. Broll fights the fel bear spirit he calls upon when shapeshifting into bear form. In that moment he realizes why the bear spirit had remained with him while other animal spirits had abandoned him. Broll understands. A druid houses the spirit forms, however he has failed by allowing the spirit form control him with rage and fury fed by the fel energy channeled by Azgalor and the fury of his own daughter’s demise.
The memory of his daughter convinces him the fel bear spirit has changed him into something his daugther wouldn’t be proud of. Before engaging the fel bear spirit, the stormcrow spirit grabs Broll into the sky.
Broll battles the fel bear spirit once more and negates his control over him again. The other spirit animals have returned to aid Broll: the stormcrow, the stag, the panther, the seal. Broll calls upon the fel bear spirit as brother. The fel bear spirit is the embodiment of Broll’s soul, despoiled by fel energy, pain and rage. With the help of the other spirits Broll attempts to restore the balance within himself and the spirit bear.
The spirit stag brings the staff weapon to Broll. The staff banishes any vestige of fel energy from the spirit bear upon contact. Broll rejects the rage of his past caused by the loss of his daughter at Mount Hyjal combined with Azgalor’s fel energy which fed his rage and fury all these years.
In the material world of Azeroth, Lo’gosh keeps protecting Broll’s physical body from harm. The fel green dragon is about to attack Lo’gosh when it suddenly vanished. At that moment, the corrupted Thistlefur furbolgs broke into the chamber by slashing away the giantic roots with their axes.
At this moment, Lo’gosh was bound by his promise to destroy the corrupted Idol of Remulos if the Furbolgs broke past the roots. Lo’gosh rose his sword high to destroy the idol, but a triumphant Broll stands up from his slumber claiming to have cleansed the idol from Azgalor’s taint, regaining his true self. The furbolgs’s corruption is no more as well, as the idol of Remulos was their source of corruption. The furbolgs ask Broll to take the idol with him and away from their hold.
The next day, Broll and Lo’gosh fly on top of Sharptalon toward Darnassus. The huge tree, Teldrassil may be seen in the horizon. Word had reached Arch-druid Fandral Staghelm that Broll had cleansed the lost Idol of Remulos and sought to meet Broll to verify its purity.
Note: The artwork of Teldrassil resembles slightly the concept art shown at BlizzCon 2007 for the Warcraft film by Legendary Pictures.
Lo’Gosh remembers more secrets from his past as he and Broll fight alongside the Night Elves in Warsong Gulch. Will Lo’Gosh’s gladiator prowess and Broll’s druidic rage be enough to ensure their success? Plus, Valeera uncovers an assassin’s plot while in Thunder Bluff, and must warn Lo’Gosh of the danger headed his way.
Written by Walter Simonson; Art by Ludo Lullabi and Sandra Hope; Covers by Jim Lee and Samwise Didier
Rehgar takes Lo’Gosh and Broll to Thunder Bluff for a cleansing ritual. Unfortunately for the pair, lurking beneath the surface of the Pools of Vision is a force like nothing they’ve ever faced before! The future looks dark for Lo’Gosh as new threats mount against him in this epic title from Walter Simonson and Ludo Lullabi!
Written by Walter Simonson; Art by Ludo Lullabi & Sandra Hope; Covers by Jim Lee and Samwise Didier
Dire Maul is emptying out. Rehgar’s team leaves cheered on by everyone. Between the sale of Valeera and his personal winnings from the arena matches, Rehgar’s set up for life.
Broll is angry that Valeera was sold to a different team. Helka Grimtotem’s all-female team has an orc and a troll, who push and pick on Valeera. She plans to escape and rescue Broll and Lo’Gosh from Rehgar.
Captain Grizzgear, also newly rich from bettin on Rehgar, takes the team to Thunder Bluff. Broll tells Lo’Gosh of the Pools of Vision, where he hopes Lo’Gosh will regain some of his memory. Broll also wants to see his lost daughter, who resembles Valeera in a way.
A red-masked Defias thug meets with a blonde, robed person, face hidden in shadows. He swears to the person that Lo’Gosh is the one they took and tells the person that the team headed to Thunder Bluff. He is rewarded a bag of gold. The hooded figure then instructs a henchman named Gakca to kill the masked man and contact the Stormwind Assassins’ Guild.
Arriving at Thunder Bluff, Broll tells Lo’Gosh there is friction between Magatha and Cairne. She meets them personally as Rehgar wants a tauren to replace Valeera. She disdainfully calls Cairne a pacifist and an old fool, and appears eager to provide Rehgar with Grimtotem warriors. They would not be slaves but indentured gladiators for the orc, and she wants her warriors to be well-trained and battle-hardened (I sense trouble for Cairne in the future…).
Magatha tells the party that a cave elemental has been loosed inside the Pools of Vision and chased all the Forsaken out. Cairne is not in town.
In Dire Maul, Helka sends her team off to Thunder Bluff on wyverns. Valeera rides one named Bristlefur, and her escort Tarm Grimtotem. The blood elf launches off with a kick, pretending to not know how to navigate the wyvern, and Tarm barely manages to hold on.
Valeera distracts Tarm with talk of forests and plains, then yanks Bristlefur around. The tauren is flung off, and lands on a wyvern below. Valeera steers the beast below the canopy and hides.
Against Magatha’s warnings, Broll and Lo’Gosh enter the Pools of Vision. Their chains are removed by the slavers who guard the entrance to the caves. The two sit down into the pools and study its waters.
Lo’Gosh sees the shadow of a fair-haired female. She reaches out to him and touches him. His vision-self seems only a few years younger. She calls him her husband and tells him his people needs him… that his son needs him. In her arms, she holds an infant boy who yells “papa!”
Broll sees raging fires. His daughter yells “An’da!” which also means papa, in Elvish. There is fire everywhere, and his daughter screams for him to save her. Then she turns into Valeera, who also yells for him to help her. She reaches for him, but her hand turns to stone. In fact, it is the hand of the cave elemental, who picks Broll up one-handed. It is a huge creature, similar to the crystal colossi in Outland.
The cave elemental tries to drown Broll but he cracks its skull and blinds one of its eyes. It roars, breaking Lo’Gosh from his trance. The elemental drops Broll and is distracted by Lo’Gosh when he breaks a rock over its foot. Lo’Gosh gets picked up, and smashes another rock into a stalagmite, causing a cave-in. The giant beast gets crushed, while the humanoids get away. Lo’Gosh finally plans to escape from Rehgar in order to find his son and his people.
Hamuul Runetotem is having dinner with Rehgar. Neither of them like Magatha, and Hamuul suspects her of being behind the elemental. Lo’Gosh and Broll are taken to the arch druid’s tent. Hamuul tells the legend of the original Lo’Gosh – a massive, white wolf-beast renowned for its ferocity in battle, 10 000 years old when the first invasion came to Azeroth. (As a creature demi-god, he can be compared to Malorne, Agamaggan, and Ursol/Ursok). The wolf god slaughtered hundreds of demons before he fell in the invasion. But not even death could destroy his will.
Broll continues the tale, describing the great ghostly wolf the night elves call Goldrinn. He aided the night elves in Eldre’Thalas in holding their city against the Burning Legion, only to vanish after battle and never be seen again. Hamuul says the wolf’s legend extends through Azeroth, to trolls, goblins and dwarves who all have their own version of the story. In each tale, Lo’Gosh’s unyielding will and sheer ferocity enable him to push through the boundaries of the afterlife to aid his people.
Hamuul gives Lo’Gosh a feather. The warrior is sceptical of the gift, but Broll recognizes it as a magical hippogryph feather. The night elf uses it to call the hippogryph Sharptalon from Ashenvale, and runs off with Lo’Gosh and the screaming guards in tow. Lo’Gosh cuts off the slavers by slashing the rope bridge behind him.
Meanwhile, Valeera arrives wyvernback under the cover of night. She sees the hippogryph land and take off again with Broll and Lo’Gosh on its back. Rehgar is close by, but seems quite unperturbed that his finest warriors are escaping. While Valeera spies on him, Rehgar tells Hamuul that in a way, they were always as free as their hearts let them be. He knows Hamuul let them escape on purpose, but nevertheless sends slavers on wyverns after them.
In Stormwind, the cloaked blonde scryes on Lo’Gosh’s flight though a glowing golden disc. Nearby stands a tall stately man with a very long golden braid, dressed in black leathers. He is the assassin sent to kill Lo’Gosh, and his work is guaranteed by the Assassins’ Guild. The cloaked figure wants Lo’Gosh killed subtly so as to not draw any unwarranted attention. It’s vital that his death appear natural. As they watch, a slaver knocks Lo’Gosh off Sharptalon’s back to tumble through open air high above the plains of Mulgore…
Summary by varghedin